Theoryland of the Wheel of Time

I really loved the character Lightsong, he was my favorite and probably one of the most interesting characters I've ever read about. Did you have anyone in particular in mind when you came up with him? How did go about developing him as a character?

Rupert Everett was sitting in the back of my mind.

Actually, in order to develop Lightsong's character well, I didn't want to imitate any one voice. That's something we always stay away from. But I had been wanting to work on writing humor in a different way from what I'd previously used. I spent a lot of time watching and analyzing the movie The Thin Man, the old comedy/mystery/crime film with an emphasis on very witty characters making wisecracks as they investigate a murder. If you haven't seen it, it's delightful. Along with An Ideal Husband and The Importance of Being Earnest, those were my three sources of inspiration. I was trying for a blend of those two styles—and then of course added my own sense of humor.

The paintings (I think there were at least two, right?) that remind Lightsong of his dreams and the Manywar etc. Is the Artist someone we know? If not, will we eventually meet him/her in a later book? Does the artist hope to affect Lightsong this way, or is it just some guy giving abstract art to his God?

JARED

Is the artist that painted those paintings Hoid?

Hoid did not make the paintings. The goal of those paintings—and this is spoilery, by the way—the paintings are actually what the text implies that they are. They are abstract paintings which Lightsong, having a touch of the divine, is able to see and read into things that aren't necessarily there.

Beyond that, art is a magical thing in the world of Warbreaker. When an artist creates a work of art, part of the artist's soul ends up in the artwork. Someone who has many breaths and who's Returned like Lightsong has the inherent ability to see into the art and perceive that. So Lightsong can interpret correctly an abstract piece, based on what the artist is trying to convey, in a way that a normal person couldn't.

I was not trying to make the artists anyone specifically important. In the case of those paintings, they are wonderful artists — I think they are two separate artists, if I'm thinking of the two paintings that you're indicating. As Lightsong has a splinter of divine nature inside him, he is able to interpret the paintings—to foresee, using them, and to see into the soul of the person who made them.

I don't want to be unsympathetic to people's love for these characters, but I feel that as a writer I must resist the urge to bring back characters in this manner. I feel it would undermine my storytelling. I never want to get to the point where people read and the tension of a character being in danger is ruined by the thought, "Well, even if they die, they'll probably just be brought back in the future."

I'm not saying I won't ever do it, but I want to be very sparing. I like how Robert Jordan did it with a certain character's return in TofM. It was foreshadowed, built into the story itself, and relevant.

There are characters--in the 36-book-cosmere-superoutline--who return when thought dead. Some have not met their perceived end yet, while others have. So it's going to happen, but I want it to be very rare.

Question

I thought so.

Brandon Sanderson

Plus, Lightsong wouldn't really care.