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Your search for the tag 'maidens' yielded 3 results

  • 1

    Interview: Aug 30th, 1999

    Question

    I see the books, in a way you separate the sexes quite distinctly. Have you had much feminist critique of the way you treat the male characters and the way you treat the female characters, and how, in a way the male characters seem to be... have the upper edge?

    Robert Jordan

    You think the male characters have the upper edge? I like this, no, no, I like this one. I've had women come up to me before anyone knew who Robert Jordan was. I've had women come up to me at signings and tell me that until they saw me they thought that Robert Jordan was a pen-name of a woman, because they assumed that no man could write women that well. I thought, okay, that's the best compliment I received on my writing that I was able to get inside the skin of women well enough to fool women. You know, it's pretty good. I have seen feminist critiques, I've seen other sorts of critiques. Some of them made my hair stand on end. I had a woman stand up and point something out to me just down in Melbourne a couple of days ago about how all my women are very eager and ready to take charge, take the adventure, do what has to be done and all of my guys are trying to slide out the back door. You know, I don't want any part of this, and I haven't realized quite that it was that heavy. I don't think that I've had any really bad critiques. There may have, that haven't come to my attention. Just as I say a few that had been supposedly writing things that god knows I didn't intend to write or have any meanings I didn't intend to have. Does that answer your question or come close?

    Question

    It does answer my question. I think, to me, you certainly stimulate and challenge our imagination in your work. However I don't necessarily think you challenge our concepts of sexuality in the same sense. I believe that in your writing you very much distinctly keep the females in the female roles and the males in the male roles. And I think in our society, in today's society we're starting to get very challenged in the separation between the sexes—

    Robert Jordan

    Would you like to tell an Aiel Maiden that she's in a traditional female role? Forget about Aes Sedai, I'd love to see you go up to Nynaeve before she met any of these people and tell her she's in a traditional female role. I don't think I've got anybody in a particular traditional role. And no, I'm not challenging gender stereotypes. I'm doing a lot of things here and there's only so much I can do. There are other threads, other questions, other things that would be great write about, to put into these books. The only trouble is, would you really stick around if it was twenty-two books and they were twice as thick as this? All right, if so... Not only that, I'm not sure you could stand the strain. I have notes on characters, on countries, cultures, customs, all sorts of things. Aes Sedai—I have two files of two megabytes or so on each. One's just lists of individual Aes Sedai and information about them. The other is the founding of the White Tower—the customs, the cultures, the sexual relationships among Aes Sedai in training, the whole nine yards. Everything I could think of that might be useful about them. The story isn't there. None of it is on a file anywhere, there are no charts. One of my cousins asked us, "What are your critical path charts? You gotta have critical path charts for something this complex." And I said, "Yes I do have to have critical path charts," but even putting them on a computer in 3D it looks like a mess of spaghetti. If I pull in close enough to be able to see what's happening, I am so tight on that one particular area that the rest of it becomes meaningless. The only way I can do it is keep it up here. So the charts are all up here, the stories all up here. And I'm not sure how much more complex I can make it and how many more threads I can add and still hang onto it. So if I'm going to go into gender stereotypes I'm going to have to drop some of the things from the prophecies.

    (Later) Robert Jordan

    Oh, I wanted to add something here because of gender stereotypes and so forth. Somebody asked me why didn't I have any, in another question and answer session, asked me why didn't I have any gay characters in the books. I do, but that's not my bag to bring out the question of gender stereotypes and the whole nine yards. And they're just running around doing the things that they do and you can figure out who some of them are. If you want to help them, I don't care. It's not the point if they're gay or not gay, okay?

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  • 2

    Interview: Jul 14th, 2005

    Question

    Another question asked about the fighting style of Far Dareis Mai, and the questioner referenced a particular form of martial art that I had never heard of.

    Robert Jordan

    RJ responded that the Maidens fight with something that could be considered a cross between Tae Kwan Do and a third style that I had never heard of. It's a style that emphasizes the use of feet, legs and hips over the use of the upper body for obvious reasons. RJ felt that an all-female community of fighters would naturally discover such a style since it focuses on a women's relative strengths and would help them overcome their relative weaknesses.

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