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2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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A Myrddraal wrote the Dark Prophecy on orders, as a threat. I might want to use some of the reasons, so the rest on that is RAFO.
Fain (now amalgamated with Mordeth) was seeking his own power base, something he would try again with Pedron Niall and Toram Riatin. He wanted enough power to be able to kill Rand, Mat and Perrin, though most especially Rand, and to protect himself against agents of the Shadow. Because of Darkfriend reports, the Myrddraal who wrote the prophecy already knew who the strangers on Toman Head were, or claimed to be: Artur Hawkwing's armies returned to reclaim the lands stolen from Hawkwing's heirs. He knew that they collared women who could channel, which appealed to Fain/Mordeth, since one disliked Aes Sedai at best and the other purely hated them. The Myrddraal didn't simply give this up to Fain, you understand. Fain is one of the few people who could successfully torture information out of one of the Eyeless. As for why he went to Cairhien first, he knew the location of the Waygate there (along with several others and how to read the guidings in the Ways, this last from Mordeth) and preferred to use the Ways rather than make the longer cross-country journey from Fal Dara to Toman Head.
Ye means "I." He is "sin," she is "sar," you is "asa," and it is "aso."
One of the difficulties is context and flexibility: for example, al can mean "the" or "of the." The word cuebiyar can mean simply "heart," or "my heart," or when capitalized, "the heart" as in the heart of a people or nation. The word moridin means "grave" or "tomb," but when capitalized it means "the grave," standing for "death." It is intended to be a language of subtlety, where the meanings of words can change to a great extent according to context. Remember Moiraine's comments on the difficulty of translation.
The Fourth Age titles are not Old Tongue, though influenced by it. Some common names are from the Old Tongue, and some aren't. Sorry I can't go into more detail, but we're talking a treatise.
Well. I am going to have to cut this off, now. Thanks for writing. Keep me posted on your deductions. One of these days, maybe I'll have time to give congratulations on the hits and point out the misses. One clue to some: sometimes when words are combined and the end of the first word is the same as the beginning of the second, they overlap.
With best wishes, I am,
An item of note his in this chapter bump. I mention 'Terris' for the first time here, which I was glad that I was able to do. Remember that name, because you'll soon get a lot more about that country.
I do worry that the bumps will make the book feel a little too much like a standard fantasy. Mention of prophesies and the like has become such a cliché in fantasy that I avoid them whenever I can. The story in MISTBORN doesn't really deal much with that aspect of the history, but the story that is happening in the bumps has quite a bit to do with it.
The complete Karaethon Cycle will not be in there, because Jim didn't write the complete one out. Same for the Prophecies. I'm not sure about the maps...(looks at Harriet)
I do think you'll find that, as published, the strategic movements are really very clear.
Perrin's spirit guide. Note that the "he" in the next sentence does not refer to the same creature.
Did the Shadow Prophecy at the end of Towers of Midnight come to pass? If so can you explain as I did not recognize it.
Everything in it happened, but not exactly as many would have interpreted.
In both Elantris and Mistborn: The Final Empire you pointedly made an effort to defy certain age-old, fantasy clichés. What formulaic story elements did you try to redefine or avoid in the second volume of the Mistborn trilogy?
In The Well of Ascension I focused on the concept of prophecy. So many fantasy stories involve the idea of an ancient, infallible, and comprehensible prophesy which guides the actions of the characters. In The Well of Ascension I wanted to show the dangers of relying only on prophecy to provide a guide for your life. I also wanted to turn on its head my own concept of optimism. Many fantasies, including Elantris, show that If you are just determined enough you will succeed. I wanted to deal with what happens if you believe in yourself and things go wrong anyway.
Was it actually Egwene talking to Rand, after...
Oh, I've left this one intentionally ambiguous.
I figured that's what you did.
That, and whether Lan actually died or not, are both ones that I'm not going to answer.
Yeah, and whether Perrin actually died or not, because he's in the dark prophecy too.
Yes, but do remember that the dark prophecy people are misinterpreting that one a little bit, by intention.
Yeah... [Amusingly, Brandon is talking about the dark prophecy in Towers of Midnight, and I'm talking about the one in The Great Hunt.]
You know, they're supposed to misinterpret it, but one of the lines doesn't refer to Perrin; it refers to Hopper, and then the next line...
Well, not her new lover!
That's not Hopper, is it? (laughter behind)
She's not into...okay. Good. (laughs)
I don't really have a question, I just want to say that the twist at the end of Well of Ascension absolutely blew my mind.
I specifically remember when Sazed noticed the Holy First Witness in the prophecy, I was surprised I hadn't made that connection myself since I remember the prophecy so well. Then I get to the end where we learn about Ruin altering text, and thought that was an amazing plot twist, and I started wondering if you'd been altering the text in the passages at the beginning of chapters, since some of them were repeated a few times. THEN I suddenly remembered that the text originally referred to the Announcer, not the Holy First Witness, and . . . my mind was blown. That was one of the coolest things I've ever experienced in any fiction I've read.
Thanks! I worked quite a lot on that one. Glad to see it worked for you.
So, a lot of people are very curious about this conversation, rightfully so. They had many interesting things to say to one another. And I didn’t put that on-screen on purpose because I think that there are . . . Number one, I feel like it was the wrong place, narrative-wise, to have a break for something like that. And it’s also one of these things that I feel is going to work better in your mind than it might have worked on the page because there are so many places that conversation could have gone, that locking it down into to one of them would not have . . . I don’t think would have fully accomplished what we needed to accomplish there.
Beyond that, the conversation that they have would be directly tied to the sequel series, which is not going to be written. And, you know, I feel that if Robert Jordan were still with us and were going to write that sequel series, that scene would have appeared. He would have had them talk, because that would be important then for character motivation, or at least would have been referenced in the sequel trilogy. But since we’re not doing the sequel trilogy, doing that makes promises, also, that you’re not going to get fulfilled as a reader. And so, leaving that off-screen, I felt, was very much the right move.
That said, a lot of people make the assumption that Artur Hawkwing would be—and I’m not sure why they make this assumption, but I do get this from people—that he would be upset, that he would quote/unquote set her straight, or things like that. I think the conversation would have gone in a very different direction. In a, “You're doing a good job. There are certain things that I would suggest to you, but you need to conquer the work. That’s what your job would be. And here’s some advice on going about it.” Rather than a setting her straight, I think personally he would be proud of her. Granted, you know, now that he has all of his memories back, and he’s no longer under the dark influence that he was under during certain parts of his recent mortal existence, he will not be the exact same person he was back then. But he still is a conqueror, and that’s part of who his make-up is. And so, just keep that in mind as you imagine that scene however you want it to go. And I am still adamant about the fact that I think he would not like Aes Sedai even without the influence upon him. They are not his . . . yeah, he would not want to be involved with them.
This is a follow-up to that. We have a certain tall red-headed lady who goes through a magical object that shows what the future is. Does that future take into account the conversation that would have been had between the leader and her ancestor? Or is that something outside of the overall scheme of the world, and therefore would not have been taken into account in the future that was presented in that magical object?
So the future that was presented is—I think people are clear about the idea that this is a possible future. And that is not . . . You know, some of the things that we get as glimpses of the future in the Wheel of Time are set in stone, and some of them are not. And this is one that is not. And so that conversation could have been part of that, but could also not have been part of that.