Search the most comprehensive database of interviews and book signings from Robert Jordan, Brandon Sanderson and the rest of Team Jordan.
2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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I've been thinking lately of ways to give away digital copies of my books when you buy a hardcover. There are some issues with this.
I don't know much about the logistics; it may be impossible. If there is a way to make this work, I'd propose it to Tor and Harriet for A Memory of Light.
Here's a reddit thread where I mention issues with the process. Weigh in here or in that thread to give me advice.
The only way I could think of would be to include one-time use codes with the books. But what's to stop people from selling?
Yeah. The other problem with that is securing the code. Books aren't wrapped up, so the code could be scratched off/stolen easily.
My preferred method would be to put a code in a book that, then, you can redeem for free or a small price. But how do we secure it?
You don't. Your stuff is already being pirated and publishers shouldn't consider those lost sales. Trust people a la Apple.
I'm not worried about piracy. However, a digital code that can be used many times seems foolish. A one-use would be stolen.
One use has to be secured, or the person buying the book is in danger of being ripped off.
Multi-use means that we're hosting the book, and paying the bandwidth, for those who want to pirate. Bad idea, I think.
I'll host it for you. :) No charge.
Lol. One other problem is that this needs to be reasonable enough to the publisher's ears to get them to go along.
My point exactly. Big Pub doesn't get the new model. They consider pirated copies as lost sales. See Seth Godin for new model.
The publishers aren't as ignorant as you think. The investors, however, are another story. (You're right about them.)
Tor has done plenty of giving away free, DRM-free ebooks. They did it with Mistborn, for example.
Ah! To me as an outsider they are one and the same. :)
Publishers and editors in sf/f tend to be techies. Notice that Cory Doctorow, with Tor's blessing, releases all of his books for free.
How is Marvel doing it? They don't tend to wrap Comics either.
I think you order directly from them, and they send you the comic and deliver through their own secure app.
Baen used to put a CD copy of the book inside the hardcover versions of @davidweber1 Honor Harrington books.
I asked if we could do that, and the answer was that it was expensive enough it couldn't become the standard.
Maybe like a gift card where it's only active after purchase?
Yeah, this is probably the best idea. I don't know how hard that is to accomplish, though.
A lot of textbooks used to include a disc in the book for additional material. Discs are a bit harder to steal than codes.
Textbooks also have a much larger profit margin than novels. I asked about discs for my last book, and the publisher said no.
They said it was just too expensive.
Old school tech, I know, but how about a coupon you have to fill in with your email address then post back to the publisher?
Ha. You know, I never thought about that. The problem is, how do we keep people from stealing them out of the books?
People with a nice hardcover don't want to cut their book apart to get a coupon.
Here are a couple of problems with what people are suggesting. 1) We don't want to shrink wrap books, but a code can be stolen very easily.
Anything involving the retailer verifying a code, or printing one out, requires large-scale involvement of retailers.
That's not something I can change. They may be working on this already. I want something I could take to Tor, that we could do in house.
Or if you're talking about securing the code in the book...it seems easy enough with textbooks. Peel-off? :)
People would walk into the store, peel off the sticker, write down the code, then sell it or use it.
How do you stop people from sharing a hardcover copy?
The physical product can be made to set off an alarm. A code can be copied and carried out.
Could codes be single use? That would largely get around the securing problem?
People would walk into the store, write down the code, go home and download the book.
What about one-time scratch codes like what's used on gift cards?
Those are usually activated by the retailer. I'd love for us to be able to do that, but it would involve more than I can do.
Another issue with this is that if I did it, I would need it to work for indy booksellers and not just Amazon/Barnes & Noble.
Can you sell the digital copy at http://tor.com, which provides a coupon for the hardcover?
This is actually what I proposed to Tor a few years back, and they said they didn't want to offend the retailers.
I still like the idea, though.
I won't have time to reply to everyone here, but keep sending thoughts. I'll read and see if I can come up with something to take to Tor.
How about this: Put the code in the book. Don't secure it. Each code works three times. Hope people don't abuse it.
That risks punishing the person who buys the book (but their code has been stolen and used.)
More on the A Memory of Light ebook thing. What would you guys think if I tried to talk Tor into a 'special edition' release.
A kind of 'boxed set' that came with hardcover, ebook, audiobook, a medallion or other keepsake, and maybe some interviews with me & Harriet.
Shrink wrapped & sold at bookstores for, say, $50 instead of $30? Does that get too far away from the 'free ebook w/the hardcover' concept?
It does seem to defeat the purpose, as far as most people would be concerned. Though many would buy it.
A Memory of Light e-book release announced with three month gap. Can you explain the rationale behind this? Lot of vitriol on Tor site.
Harriet worries, among other things, at the impact on the bestseller lists by releasing at the same time.
Ebooks make her uncomfortable.
Making us wait three three months for the A Memory of Light ebook is very obnoxious and shows contempt for the fan base. I have been reading...
...WOT since 1992 and deeply resent this type of staggering.
I've been working on it. The delay is not Tor, but Harriet, who worries at the implications of releasing an ebook immediately.
She originally wanted a six month, or longer, delay. I was able to persuade her to move to three months.
Will the kindle edition of A Memory of Light be released at the same time, as the hardcover?
I'm afraid that Harriet has decided there should be a delayed ebook release.
Not sure why there's still confusion. It's Nynaeve and Moiraine on the back cover. The yellow and blue dresses should make that apparent. Nynaeve's hair is obviously shorter than it used to be.
I spoke to Michael about the cover as he was finishing it. Since he didn't have the opportunity to read all fourteen books for the assignment, I was one of the people he leaned on to fact check his work.
Michael mentioned there are details the readers (like me) wouldn't be privy to yet. For example, Nynaeve takes the bulk of her jewelry off before this scene.
Callandor is a sword that isn't a sword, right? He's not holding it for defense. It's a source of power as well as his source of light (there's a clue about that in the lighting on his face). He's shielding his eyes as he stares in to the pit. Apparently, the deeper he goes into Shayol Ghul, the brighter it shines.
A little background that some might not know... Michael has studied martial arts, including Filipino Kali and Arnis. The forearm slash position actually has some utility in fights with bladed weapons.
Compositionally, the line of the sword is another element that draws you into the intensity of Rand's stare. Further, the opening of the cave is the shape of an eye; the eclipse suggests an iris. It's as if the gaze of the Dark One is falling on Rand. We see his strength and determination in response. How many illustrators can convey that kind of depth in a scene?
Say what you will, but I think Michael brought a lot to the plate on what was a very difficult cover assignment. He put his stamp on Rand while producing a cover that fits well with the first thirteen that DKS painted.
Thanks for confirming that. However, Nynaeve's hair is still the wrong color and, while it's shorter after the Aes Sedai testing in Towers of Midnight, it should still be in a shoulder-length braid. She never gave up her signature braid. That's why many people don't think it looks like Nynaeve—the braid is the main thing that would identify her as Nynaeve to the readers.
The loose light hair makes the woman on the cover look more like Alivia, who many fans believe is the woman in yellow. So I'm still of the opinion that Whelan did not do a good job with Nynaeve if longtime fans don't even recognize her. I think it's a beautiful cover, but as a reader, the main thing I care about is seeing the characters—who we have been reading about for twenty years—done right, not so much whether the cave looks realistic or happens to symbolize the Dark One spying on Rand. So it's disappointing that Nynaeve ended up virtually unrecognizable. She doesn't even wear yellow dresses in the books, despite being Yellow Ajah (she makes a point of wearing green or blue since that's what Lan likes), so that's not something that makes the woman's identity apparent either.
If you don't mind me asking (not trying to be rude here, it just strikes me as a bit strange), why did Whelan rely on fans to check his work instead of Team Jordan? I'm assuming you work for Tor, but you refer to yourself as a reader who hasn't read the book. To what extent were Brandon Sanderson and Team Jordan involved with the creative process behind this cover?
I was just one of the people helping with the details. Obviously Michael had Irene Gallo's art direction and was in contact with editors including Harriet.
Michael's wife Audrey usually serves as his sounding board, but she hadn't read the books. (For the record, I'm not affiliated with TOR. I've worked with Michael since the mid 90s, primarily on his website.) I'm a WoT fan and that's the kind of feedback Michael was looking for... someone he knew who had read the previous thirteen books.
Michael and I did discuss Nynaeve's dress color. I mentioned that she catered to Lan's color preference of green and blue. The yellow of her Ajah usually came in slashes of color, accents if I recall correctly.
Like I said, I haven't read the manuscript for A Memory of Light and Michael couldn't talk about it. But I distinctly recall Nynaeve taking pride in being a true Aes Sedai finally. Going into the Last Battle, I don't think it's a stretch that she would choose yellow. I suppose we'll have to RAFO on that.
In the background information I provided, I described Nynaeve's hair color as darker brown and referenced previous covers (among them the Melanie Delon's cover for A Crown of Swords that drew criticism for being too red).
I'd have to ask him why he chose lighter highlights. Just my speculation here, but Callandor is a light source. There's also illumination from the eclipse filtering in from the mouth of the cave to consider.
Michael got the length of Nynaeve's hair right, and this isn't simply opinion. Hopefully Brandon or Harriet will confirm at some point that her shoulder length hair was too short to braid.
Interestingly, Michael and I spoke about the challenge of pulling character descriptions from the text. If you're familiar with his illustration, he's known as a stickler for details. But it isn't always easy to translate text literally, especially when Jordan and Sanderson contradict in their description.
In correspondence, Michael wrote,
"Major characters are described as diminutive in size, yet 'commanding' in presence. Faces are youthful, yet ageless. Or young but having eyes full of wisdom of the ages. Rand is tall and manly, yet has an almost "feminine" beauty in his eyes or mouth. It's a bit confusing how one is supposed to render such conflicting elements."
Honestly, I don't mind the nitpicking. Criticism comes with the territory. My point in responding is to state that Michael was mindful of details here. There's evidence of it in the painting. I can tell you that he had Moiraine's kesiera and Nynaeve's ki'sain accounted for before I even spoke to him.
On a personal note, I had the privilege of meeting Robert Jordan before a signing on the Knife of Dreams tour. One of the things we talked about was the cover art for the series. I think Mr. Jordan would be pleased with this one. Obviously Harriet was when she said, "that is the Rand I have waited to see for twenty years."
Firstly, thank you very much for the thorough answer. It answered many of my questions, and it was also interesting to hear more about the creative process behind the cover.
[Nynaeve's hair] got singed off "a handspan below her shoulders" (Towers of Midnight ch 20), and she wore a shoulder-length braid in every scene she was in after the Aes Sedai testing. That's why it seemed odd for her signature braid to be missing on the cover. I don't really care about the dress or even much about the hair color, but Nynaeve isn't Nynaeve without her braid—it's part of who she is. It's like Mat showing up without his hat and ashandarei. And the ki'sain is too small to be visible, so it doesn't do anything to make the woman on the cover look more like Nynaeve.
I also wish Nynaeve and Moiraine hadn't been delegated to the background/back cover—since they're going to be linked with him, they deserve to stand at his side. But that's not an error, just something I wish were different.
However, while the cover isn't what I hoped for, I understand and deeply appreciate that you and Whelan both worked incredibly hard on it, and Whelan remains one of my favorite illustrators. I think he did a wonderful job with Rand.
I appreciate the sentiment but Michael did the actual work. He pushed his calendar aside this spring to make the cover happen. I was just support. But I will admit it took a lot of restraint on my part not to inundate him with questions that I knew he couldn't answer, so there is that.
As readers, we all have so much invested in this series that I completely understand what you're saying. I love Brandon's work, but I felt Towers of Midnight was a bit of a letdown, especially the resolution with Moiraine.
Moiraine has always been a favorite of mine. I would have liked to see her on the front cover as well. Thankfully Dan Dos Santos gave us that in his brilliant cover for The Fires of Heaven.
I think MRJackson & Mr. Whelan made a very good point, in that we have not yet read this book. By the time this scene happens, we may see several other events that make sense of the seeming discrepancies. Specifically, there are only two scenes after Nynaeve's testing which mention her braid, and in both cases it is specifically noted that it is too short and she finds it quite annoying. Quite possibly she'll meet up with Lan and find out that he likes it loose, or she'll simply decide that it's too irritating to fuss with a too-short braid, and we'll see her with loose hair in several scenes before this.
Someone was bothered earlier by the missing jewelry—but now we know that she specifically and deliberately removed the jewelry before this scene, probably so that someone else could use them. (That's what happened during the Cleansing; why not here as well?) Seems to me that we should make the assumption that the same kind of thing might happen with The Braid, instead of insisting that she should look like she did in the previous book, and claiming any discrepancies as mistakes. Such claims are not only rude, they are unfounded. Once the book is out and we've read the whole thing, we might have grounds for nitpicking; until then, not so much.
MRJackson—Thank you for your contributions, both to this thread and to Mr. Whelan.
Glad to be of help. Maybe someday we'll find closure in the great braid debate...
Seriously though, Michael painted Nynaeve's hair at that length (without a braid) for a reason. I wasn't trying to sidestep debate. I was expressing certainty. Michael was aware that the braid was an identifying feature of her character. The painting turned out the way it did through a long process that involved editorial input. I'll leave it at that.
I look at it this way (and this is my opinion)... Nynaeve has grown enormously through the books. She was always uniquely powerful, but it took time for her to grow into that power. More so, it took a dozen books to accept herself and decide who she wanted to be.
Nynaeve worked through enormous difficulty to channel reliably. Remember how she used to tug on that braid? It really was a symbol of who she used to be. Kind of fitting that the symbol is gone.
Old habits die hard, of course, but she isn't that girl tugging on her braid any more. She's a woman who fought to gain acceptance as an Aes Sedai, and she's going to stand at Rand side to face the Dark One. It's impressive how far she's come as a character.
The Fires of Heaven ebook cover was definitely one of the best, though there were a few things the artist got wrong (Moiraine does not have blue eyes). The New Spring cover was great too, especially Lan. It's mostly Nynaeve who has suffered bad luck with the ebook covers. There's A Crown of Swords where she got red hair and Lan looked like an underwater zombie, Winter's Heart where she didn't appear at all despite being linked with Rand for the Cleansing, The Path of Daggers where she got a Saldaean nose and Elayne looked suspiciously like Jean Grey...
I think much of my disappointment with the A Memory of Light cover stems from the fact that there's already an earlier cover (Winter's Heart) where Rand claimed the stage and his female linking partner was left out. "Hero poses manfully brandishing some kind of phallic object" is a pretty tired concept, especially on WoT covers. Rand does the same on Sweet's The Dragon Reborn and The Path of Daggers, the ebook covers for The Dragon Reborn, Winter's Heart, Knife of Dreams... Winter's Heart is probably the worst offender, if you look at the placement of the Choedan Kal. ;)
Sweet's A Memory of Light cover was a welcome break from that—I'm not usually a fan of Sweet's covers, but I liked that he gave Elayne, Min, and Aviendha a prominent role and added some emotion to the cover. So I really would have liked to see something different on the final cover, like Rand having the two women from the Callandor circle at his side. Here, Nynaeve and Moiraine are present, but only in the background, and not at all on the ebook cover.
The only female lead who held the cover spotlight on par with the men was Moiraine, and that is a shame.
There was definitely opportunity to feature Nynaeve linked with Rand on Winter's Heart. Despite the hair, I liked Nynaeve on the cover of A Crown of Swords. Lan not so much. The Path of Daggers was another miss, mostly because the colors were a distraction. I thought I was looking at an X-Men cover. Even if that was intentional, it didn't work for me.
I can only assume Rand was intended to stand at center stage alone on the last cover, but I think what you suggest would have been great too. Moiraine and Nynaeve definitely earned their place at Rand's side on the front.
That was a beautiful description of why Nynaeve is one of the most compelling characters in the series. She and Moiraine kept me invested during some dark years of almost giving up on WOT. I always hoped they would be the other Callandor channelers, as I could not imagine Rand putting himself in such a vulnerable position with anyone else. Aviendha, Min and Elayne included, though I do love Aviendha! So thank you for shedding light on why some things are portrayed as they are on this excellent new cover. Just don't think that it will put a dent in the debate. ;)
Thanks. I feel much the same way about those characters, and I'm sure the debate will keep going on well after the publication of A Memory of Light.
I'm sorry I don't have more specific WoT posts for you—I know that Harriet prefers me to be more closed-mouthed. However...
Maria from Team Jordan has finished her revision notes for the entire book, as has Harriet herself. So we're only waiting on Alan's notes.
As he's playing "Great Captain" for me on A Memory of Light, his notes are vital—and he needs to be detailed. When I get them, I can finish revising.
Sooooo...there might be a sooner release date than the current for January?
It is possible, but I don't know how likely.
Darn, I need to haste to be ready for A Memory of Light once it releases. Is there gonna be a ebook version along with the physical book?
(Winces.) Harriet has a distrust of ebooks; she prefers to delay the release. It is her call. (Ebook is a few months later.)
Do we have chapter names yet? Or do you know how many chapters there will be? Or is that a secret?
No chapter names yet, as it won't be until this draft is finished that I settle on the number of chapters. Some are being combined.
I'm truly hoping this book is 1/3 battles/fights.
More than 1/3, I'd say...
Forgive me for not understanding, but what does this mean? Release date's not going to change, is it?
Probably not. It's just a progress update, so people know things are still moving behind-the-scenes.
How's The Stormlight Archive coming? I need more.
A Memory of Light comes first. I will get to the next Stormlight book soon, but not until A Memory of Light is done to my satisfaction.
So this means we will be reading the final volume sooner than first announced?
It is possible, but I don't know how likely. I still need to do two drafts, I feel. Then there are beta reads, then proofreads, then we need at least two months to get the books printed and shipped.
What does it take to be one of the beta readers?
Be one of the major members of fandom for years, and personally know Harriet. (Sorry.)
So how long is the series going to be? RJ's answers from 95–06
Friend of mine posted this on Dragonmount and I got a kick out of it, a timeline of RJ's estimates on just how many books the series was going to be:
He still isn't sure how long WoT will go on for, saying probably seven books but adding that when The Eye of the World first came out he saw the series as four books.
"At present I am indeed hoping to complete the cycle in either seven or eight books. I am 90% confident that I can do it in seven, 95% confident that I can by eight. The thing is, as a famous manager of an American baseball team once said: 'It ain't over till it's over.'"
"It will last several more books, until I reach the last scene, which has been in my head since the very beginning."
"I do hope there will not be ten books all told. I'm planning for eight, at present, and hope very strongly that I can wrap it all up in that length."
He said he writes as the ideas come and he has no clue as to how long the series will be!
"I knew from the start that I was writing something that would be multiple books. I just never knew how many, exactly."
Not only did he decline to set the number of future WoT books, but he denied ever setting a number and says he never planned it to be only a trilogy. But he seemed to indicate he was planning 9-10 books total. When faced with the prospect of about twelve books, his wife threatened to divorce him and his editor began to make jokes about the Irish Mafia.
"Several. Some. A few. I'm not even speculating now on how many books I hope it will take, because every time I do mention a number I hope I can finish it in, it turns out to take longer. It will be at least eight, because I've signed the contracts for books seven and eight."
"I've stopped saying how many more books there will be."
"At one time, I did hope for eight; now I don't think so. I certainly hope (Please, God!) it doesn't go to ten books, but I have stopped saying anything except that I will write until I reach the last scene of the last book, which scene has been in my head from the beginning."
"There will be a few more books, some, not a lot, hopefully fewer than seven more."
"It will be at least ten books, yes. There will be some more books, not too many, and please God, not so many as I've already written. I am, in truth, writing as fast as I can. I want to maintain the pace of the story until I reach the final scene, which has been in my head since before I started writing The Eye of the World."
1997"There will be at least three more books. I'm not saying that there will be ONLY three. I'm saying that I can't finish in fewer than three."
"I believe—believe!—there will be three more books. I am trying to finish up as soon as possible, but I cannot see how to do it in fewer than three books. That isn't a guarantee, mind! In the beginning, I thought that there would be three or perhaps four books total, but it might go to five, or even six, though I really didn't believe it would take that long. It wasn't a matter of the story growing or expanding, but rather that I miscalculated—brother, did I!—how long it would take to get from the beginning to the end. I've known the last scene of the last book literally from the beginning. That was the first scene that occurred to me. Had I written it out 10 years ago, and then did so again today, the wording might be different, but not what happens. It has just taken me longer to get there than I thought."
"When I finished A Crown of Swords, I said it would take me at least three books more to finish. Now that I have completed The Path of Daggers, it looks like it will take me at least three more books to finish. Believe me, guys, I'm trying as hard as I can to get there as fast as I can."
"I don't have a set amount of books planned. I believe it will take at least three more books to reach the ending that I have known for more than 15 years."
"Remember, after A Crown of Swords I said at least three more books....the same thing I say now."
The usual "at least three more books" was mentioned several times in an increasingly loud voice.
"I am only asked that question by about 300 people a day. The answer is that there will be at least three more books. At least. As I said earlier, I know everything that I want to happen and I have known the last scene of the last book for fifteen years. I also know that I cannot get everything that I want to happen into less than three more books. So that's where we stand at the moment."
Firstly, RJ said three more books "at least" and that he'd try to do it in three if he could, but he couldn't promise it would be only three. And he said he thought it would take "at least five years".
"Sigh! At least three more. I know I've said that before, but it's still the case."
"It still sits at three more books to finish, but I've always said from the time I began using the three books that it would be AT LEAST three books—that I'd try to finish in at least three books, but I couldn't promise. I know that I couldn't possibly finish in fewer than three. If I can finish in three, I will. But that's what I'm hoping for, what I'm trying for. NOT a promise."
"There is no set number. It takes as much space as it takes."
The next book will be out very soon after he's finished writing it. He don't know how many more books there'll be. At least three. If he can finish it in three, he will.
There will be no more than five, but also no less than another three books to be expected to appear in The Wheel of Time series.
"There will be at least three more books. The next book will be in bookstores very shortly after I finish writing it, and Michael Jordan is my kid brother whom I taught to play basketball."
"After Crossroads of Twilight, there will be two more books, knock wood, God willing and the creek don't rise. I never intended The Wheel of Time to be this long. The story is progressing the way I planned, but from the beginning I believed I could tell it in many fewer words, many fewer volumes."
"I think twelve."—Harriet
When asked "how many more books?", which of course met great laughter, he responded that he had started the process intending to have only five or six. Now on book 10, he remarked that he would complete the series in two more books if at all possible. If not, then three.
Jordan showed up around 7, and gave a little speech. He said there will be at least two books, and that he will not write a word more than he has to."How many more books will there be? There will be at least two more books. I apologize for that. I cannot finish it in fewer books. I will try to finish it in two more. I have known the last scene of the last book since 1984. I know where I'm going. The problem is...[my tape is once again inaudible and this was one of the few parts of his speech I could not hear, sorry gang]. That's about it."
"I really hope—knock wood, spit over your shoulder, and sacrifice to the gods—that I can finish up in twelve books total. We shall see."
"No, at least two more books, I'm afraid....I've had some people say they'd like five or ten, but I generally throw something at them."
"I hope—please God, are you listening?—that there will be only two more books in the main sequence."
"I very much hope to finish in two more main sequence books. It's not an absolute promise, but I'm very much hoping for it and I think I can do it."
"I sincerely hope it will be possible to tie everything up in two books."
There is only one book left in the series but it will be a doozy. He will fight to prevent it from being "George R.R. Martined," or split for publication.
"I am committed it is going to be 12 books, even if it is fifteen hundred pages long and it requires you to bring a luggage cart to get it out of the store. Bring your knapsack, you may need it, because no matter what the case that is going to be it."
"One more—the twelfth book. That will be so even if that book has to be 2000 pages in hardcover, and require a luggage cart and shoulder strap to get it out of the store."
"I have said it before and will say it again. There will be one more book. Even if it has to be a 1500 page book. It will be the last book even if you have to use a luggage cart to move it."
"For Segovia, my intention is finish with twelve books, and that may mean that the last book will be VERY long, but I really can't say how long it will take me to write. My publisher is always trying to get me to commit to a time frame. I just do a little sand dance until he goes away. I carry a small bottle of sand with me in New York for exactly that purpose."
Book Twelve will end the main sequence if he has to personally go to New York and beat the publishers at Tor, even if it runs two thousand pages and they have to invent a new way to bind the books (shudder). There will be two more prequels a la New Spring, and there might—very big MIGHT—be another trilogy in the same universe.
First, "the next book will be out very shortly after I'm done writing it." Next, "the next book will be the last book, even if it's 2000 pages, and you need a luggage cart to carry it out of the bookstore."
"Can we all say it together? One more book. I don't care if it has to be 2000 pages and you have to wheel it out the door. One more book."
"After Knife of Dreams, there's going to be one more main-sequence Wheel of Time novel, working title A Memory of Light. It may be a 2,000-page hardcover that you'll need a luggage cart and a back brace to get out of the store. (I think I could get Tor to issue them with a shoulder strap embossed with the Tor logo, since I've already forced them to expand the edges of paperback technology to nearly a thousand pages!) Well, it probably won't be that long, but if I'm going to make it a coherent novel it's all got to be in one volume."
Ah, and what a marvelous 2,000 page book it would have been. I was really shooting for this. Turns out, however, that I don't have the influence that RJ did, and couldn't persuade the publisher that printing a 2,000+ page book was viable. You'll have to be satisfied with three 800 pagers instead.
I do kind of hope we'll be able to do a cut of the volume in ebook where I weave the three books back into one, which would fix some of the timeline confusion in Towers of Midnight, which was the big casualty of the split.
(I knew that, in all likelihood, a split would be mandated, and so I prepared for it by deciding on the three book split instead of a two book split, as I feel it fit the narrative flow better. However, I was working on Perrin when the first split happened, and didn't realize until afterward that by jumping back to the beginning of his story after finishing The Gathering Storm, I was going to create the issues it did with Tam.)
So you're planning on doing a Phantom Edit of your own work? I, for one, would be really interested to read something like this, but I think that what you lost in chronological clarity in the split, you gained in pacing and narrative clarity.
That said, you mentioned in a previous interview that The Gathering Storm's intensity also came from an awareness that your first effort in the Wheel of Time really needed to be a home run. Would your decisions regarding the narrative structure have changed if you didn't feel that pressure?
I wouldn't consider it a phantom edit, as I wouldn't be removing sections. I'd be moving them around, adding in a few deleted scenes. More like an extended edition mixed with pacing tweak.
I don't know how my decisions might have changed if I hadn't felt that pressure. I might have chosen to do Rand/Perrin in the first book and Egwene/Mat in the second book. Perrin/Mat have great stories in TofM—but they're not as focused as the ones for Rand/Egwene. I don't know. The timeline might have been even worse.
This is something I'd have to play with, if I were actually to attempt it, to even see if the narrative flow would work that direction now that I've made writing decisions with three books—instead of one—being the reality.
Now that I've finished reading A Memory of Light, I have to say, I think this would be an insane task. Mostly, The Gathering Storm and Towers of Midnight would be the things caught up in reorganizing, since A Memory of Light's timeline is internally consistent enough to justify things. It would also let you sprinkle the Black Tower POVs a bit more nicely throughout the trilogy, since the frontloading of that plot at the beginning of A Memory of Light is one of the few structural weaknesses I thought I saw.
In any case, congratulations! You've really done it! Those annotations will be fascinating, assuming you get permission to take it on.
You're right on the Black Tower structural weakness. I actually plotted that sequence to go all in Towers of Midnight, but ran up against deadlines and only did a few chapters of it. It would work far better moved earlier.
Thanks for reading. I'll see what I can do about annotations.
That makes a lot of sense. One gets the feeling that a lot of your writing was done with several different forces tugging you one way or another; collaboration can be tough, especially for artists who are used to working in the silence of their mind, and I can't imagine adding a massive fandom to that.
Seriously: congrats. Tai'shar...Utah? :)
Tai'shar Nebraska, actually. But I like Utah well enough. :)