Theoryland of the Wheel of Time

There will be a similar number, with a small expansion. At this point I believe you have met every one of the major viewpoint characters for the series. I don't want it to spiral out of control. I think too many viewpoint characters is a danger to epic fantasy, putting a writer in difficult predicaments for subsequent books—whether to leave some characters out, or whether to show a little bit of each of them without getting any major plot arcs for any of them.

So you've seen pretty much everybody. Now, at this point there are several who are major viewpoint characters for the series who we have not had many or any viewpoints from yet—Jasnah is one, a character who shows up in the epilogue is another, and there are a few others—but there are in my mind essentially eight or ten major characters in this series, and it will stick to that.

The interludes will continue to be what they are, which is that those characters may show up again, but it's unlikely that there will be many more viewpoints from them. The interludes are there because I wanted to have my cake and eat it too—I wanted to have the big sprawling epic with a lot of major viewpoints that we spend a lot of time on like Robert Jordan did, but I also wanted to have the quick jumps around that George R. R. Martin does, and they're two masters of the genre. And so I decided on the interludes as a way to jump around and show the world, to give depth and to give rounding to what's happening—give you little glimpses into important aspects of the world—but those characters are not people you have to remember and follow. Each of the interludes will have one character that you need to pay attention to, but you can take the interludes and read them and without having to focus too much on remembering and keeping track of what their plot is. Then you can jump back into the main characters. And that's always going to be the case in the books to come.

Each book will also have one character who has flashbacks throughout that book—we'll stick to one per book, and you will find out how they ended up where they are as we dig back into their past.

I originally had titled the second book Highprince of War. I'm not sure if I will keep that title, depending on who its central character ends up being. With the Stormlight Archive, I am playing with the form of the epic fantasy novel in a way that's very exciting to me that I haven't done since Elantris. If you read Elantris, the form of that book was very important in how it developed, with its chapter triad system. The books in this series also have a very specific form. Each book will focus on one character. That character will get flashbacks exploring their past, to show you how they arrived where they are. But the book will progress the narrative for everyone. For instance, this book was Kaladin's book, and you got flashbacks for him. He will appear substantially in the next book, and you'll have lots of viewpoints from him, but it will be someone else's book and that character will get flashbacks. Each book will have one central character, with two or three major characters who have no flashbacks and not quite as much screen time—characters like Dalinar and Shallan in the first book, and to a lesser extent Adolin and Szeth.

The other thing that will continue is the interludes. I really enjoyed including those in the book; I'm not sure what people will think of them, but most of them are essentially going to be short stories set somewhere in the world, that enhance the main narrative and show different aspects of the world without forcing you to follow yet another plotline. They're just quick one-offs. You'll see those between parts in all of the other books.

Tentative release date? I have to finish A Memory of Light first. I don’t know how long that will take to write. In a perfect world, which is probably not going to happen, the ideal case is that I’m able to finish A Memory of Light by around August of 2011, whereupon it gets published in November 2011 and I start Stormlight Two January of the next year and it's ready for publication in November 2012. That would be the ideal situation. I often do manage to hit the deadlines in ideal situations, but I'm not making any promises on this one. I'm thinking 2012 spring is more likely for A Memory of Light, but we'll see.

Most of the main POV characters have been introduced. Each book will take one major character (Kaladin, Dalinar, Adolin, Jasnah, Shallan, Navani, Szeth, Taln) and give them 'flashback' sequences in the same way Kaladin got flashbacks in the first book. There are some open spots for which I'm toying with other characters being used.

Other characters will get viewpoints now and then, but I feel that one of the ways that big series get off track is by changing the focus to side characters. (Note that I will continue doing the Interludes to give some other voices and perspectives screen time. Few of these will be main characters.)

oditogre

This problem, more than any other thing, 'broke' 3 of the biggest fantasy series for me (you can probably guess which ones)—I gave up on each of them partway through.

I liked Mistborn, but honestly I hadn't planned on even giving Stormlight Archive a chance because I assumed it would do the same type of thing as those other series. Knowing what you said above, I'm going to have to pick up that first book, now.

BRANDON SANDERSON

I'm hoping it will work. If I can do it right, and each main character gets a book of their own, it should keep me on track.

The sprawl gets reduced, in theory, as each book has its own specific focus. You get a little of each main character in each book, but one takes center stage and you get a full story with them. (Flashbacks to their past, getting them to the first book, and a depth of story for their narrative in the novel.)

If you do read the book, one of the things I do to try to keep this all from going out of control is I write what are called "Interludes." Most of these (all but the ones about a character named Szeth) are essentially short stories in the world, about characters you don't have to remember or learn. They add depth, expand the plot, but are set off as their own thing with a specific sort of "This won't be on the final" sort of feel.

That's not intentional, but it could certainly be unconscious influence.

cfornia25

Very interesting thought. One I never considered, but will think about further. I've heard Brandon talk about these characters and he said that originally there was no Adolin. Dalinar was the only character speaking to both the belief and doubt of what he was experiencing. Brandon's Writing Group gave feedback that having one character flip-flop like that wasn't working, so Brandon developed Adolin to help express those doubts. What a great way to solve a problem, and the result is a wonderful relationship that imitates many powerful Father/Son stories. So, I would guess that the parallel you mentioned wasn't intentional, but as writers, of course, that which we believe, read and experience will find itself, unwittingly, on the page.

BRANDON SANDERSON

You're ALMOST right. Adolin wasn't a viewpoint character initially, but he was in the book during the draft you're talking about. (The one where I had to fix things.) But if I go back to Dalinar, the character, back in his origin (before I wrote The Way of Kings the first time, back in 2002) he did not have a son. It was his relationship with his brother and nephew (needing to take over the kingdom for a beloved brother who died, and rule it for a nephew—then have concerns about giving up power, and how much he should take) that was the origin of Dalinar.

On later Stormlight Archive novels will there always be one character we get to see flashbacks for?

Yes, and it should rotate to different characters. I have not yet decided who gets book two yet. It's really between Dalinar and Shallan and I go back and forth on whose story I want to tell next.

17TH SHARD

So, does that mean there's going to be 10 different characters that would be seen?

BRANDON SANDERSON

It's very likely there will be 10 different characters. The only caveat on that is that part of me really wants to do a second Kaladin book. And so I haven't quite decided who gets flashback books. You can probably guess from reading this book some of them who do. But there are some that don't necessarily absolutely need them, so Kaladin may get a second flashback book.

17TH SHARD

So, fingers crossed, fingers crosses, will Szeth get one?

BRANDON SANDERSON

Szeth will get a book.

17TH SHARD

YES! (laughter) We're all cheering.

BRANDON SANDERSON

Yes, Szeth will get a book. Shallan and Dalinar will get books.

17TH SHARD

Adolin?

BRANDON SANDERSON

Um…I'm not sure on him yet. He's one that could, maybe not. I mean he's got some interesting things going on but we'll see how the series progresses first. There are characters who will get flashback books that you haven't yet met or at least not spent much time with.

The Way of Kings has a very interesting format. Why did you decide to go with that format and what prompted you to include the interludes?

That's another excellent question. You guys are really on the ball. Uh...so, what went through my head is one worry that we have in epic fantasy. The longer the series goes, and the more characters you add, the less time you can spend with each character. This gets really frustrating. You either have the George R. R. Martin problem where he writes a book and doesn't include half of them, or you get the middle Wheel of Time problem where he will jump to each character for a brief short time and no one's plot seems to get advanced.

If you look back at Elantris, I did a lot of interesting things with form in that novel, and I wanted to try something interesting with form for this series that would in some way enhance what epic fantasy does well and de-emphasize the problems. And I thought that I could do some new things with the form of the novel that would allow me to approach that, and so I started to view the book as one main character's novel and then short novellas from other characters' viewpoints. Then I started adding these interludes because I really like when, for instance, George Martin or Tad Williams or some other authors do this. You'd jump some place and see a little character for a brief time in a cool little location, but the thing is, when most epic fantasy writers do that, that character becomes a main character and you're just adding to your list. I wanted to actually do something where I indicated to the reader that most of these are not main characters. We're showing the scope of the world without being forced to add a new plot line. And I did that is because I wanted to keep the focus on the main characters and yet I also wanted to have my cake and eat it too. I wanted to show off the interesting aspects of the world.

When you read Way of Kings Prime someday you'll see that there are six major viewpoint characters, all in different places, with all different plots, because I wanted to show off what was happening in different parts of the world. That spiraled out of control even in that one book. Keeping track of who they were because there were such large gaps between their plot lines was really problematic. Instead I condensed and made, for instance, Kaladin's and Dalinar's plots take place in the same area as Adolin's. And so, even though you have three viewpoints there the plot lines are very similar. Or, at least they're interacting with one another.

And so the interludes were a means to jump around the world. They're essentially short stories set in the world, during the book, so when you get this book, maybe you can think of it this way: Kaladin's novel with Shallan and Dalinar each having shorter novels or novelettes or novellas, with occasional, periodic jumps to short stories around the world. And then of course Kaladin's flashbacks. As we've mentioned, every book will have flashbacks from its main character to enhance the main plotline.

I'm hoping that form will do a couple things. It'll show the scope of the world without us getting too overwhelmed by characters we have to keep track of. You know when you hit interludes that you aren't going to have to pay attention to most of them. You can read and enjoy them, but you aren't going to have to remember them. How about that? You can want to pay attention but you don't have to remember them. By the end of the book, the main characters' arcs and flashbacks should have been resolved and you should have a feel of a completer story from that main character. And then we have other characters that are doing things that are essentially just starting plotlines.

In the next book, you'll get another character with a big arc and flashbacks. The major characters from previous books will still have parts and viewpoints; Kaladin will still be important in the next book but it won't be "his book". He'll get a novella-length part instead.

(Of course, they're not really novella-length because it's a 400,000 word book. Those "novellas" are actually like 70,000- or 80,000-word novels)

17TH SHARD

Will the next Stormlight Archive books have interludes as well?

BRANDON SANDERSON

Yes, all of them will have interludes.

17TH SHARD

Ok.

BRANDON SANDERSON

And you will, very occasionally, revisit people in the interludes. I'll let myself have one interlude that's same between each part like we did with Szeth in this book.

Ah...Szeth's a little bit more of a main, major character, so you'll get, like, one four-parter and then you'll get what, eight just random [characters/viewpoints] around the world. And you may occasionally see those characters again, but you don't have to remember them; they're not integral to understanding the plot. They should add depth and they should be showing you some interesting things that are happening in the world while we're focused [on a few important plot lines]. I don't to travelogs in my books; my characters are not going to be sweeping across the countryside and showing you all the interesting parts of the world. I tend to set my books in a certain place and if we travel someplace, we skip the travel.

17TH SHARD

(laughter)

BRANDON SANDERSON

But that means the chances of us ever visiting Gavland, um...or Bavland I think I ended up naming it...

17TH SHARD

Was that the place with the grass?

BRANDON SANDERSON

Shinovar is where Szeth's from. Bavland is where Szeth is owned by the miner and things like that. I can't remember what I renamed that. Originally I called it Gavland, and then we had a Gavilar and so my editor insisted that it be changed. I think it's Bavland now.

And so the chances of us ever visiting there with a major character and a long plot are very low. But, you know, being able to show just a glimpse of Szeth there allows me to give some scope and feel to the world.

17TH SHARD

Makes it epic.

BRANDON SANDERSON

Hopefully, yes.

You have met almost all of them. Let me do a count... Let's see. The main characters in the book are�in the series�Kaladin, and Dalinar, Adolin, Jasnah, Shallan, and Navani, whom you all met in this book and most of them had viewpoints. Szeth, Taravangian, and Taln. And one of the other Heralds; I'm not going to tell you who that is. But I think you've met...you have, I'm sure, met that person; I know he's in there. And so, I think you've met them all, basically. Taln is the person who shows up in the epilogue.

Marc Aplin

Excellent.

Why are so many Alethi point of views used as opposed to others? This was basically one of the changes I made as I was working on the series. I originally had planned to show all of these viewpoints, from all across the world, and I found that, when...the original time I tried this book, that since people's plots weren't interwoven together, the book was very difficult to read. Because people weren't connected to one another, emotionally and spiritually. And so because of that, when I rewrote the book, when I started again, I made sure to put Dalinar and Kaladin and Adolin in proximity of one another. So that this story...their stories would play off of each other. And so you would have a consistent storyline.

That said, we do have...you know, those three are all Alethi. But Shallan is not, and Szeth is not. And those two have fairly significant parts in this book. Most of the characters will be Alethi for that reason, that their stories are tied together. But you will....see, this is one of the reasons why, with this book, once I pulled everything back and was telling Alethi stories, I felt I needed to show the breadth of the world, and that's where the interludes came from, was me wanting to jump around the world and show all these different other characters and cultures, but shown in bite-sized portions so you didn't get overwhelmed with all of these different characters, that you knew when you go to an interlude, you can read this person and then you can kind of forget about them. You don't have to follow who they are, because they're there to show you the breadth of the world and what's going on, but not necessarily to show you...to go on a big distracting tangent.

Marc Aplin

I see. Excellent.

Ok, fair enough. Do you have a scene you enjoyed more than the rest, and on the flip side, was their something that you did not enjoy?

I will say that I really loved doing all the interludes because they gave me a sense, when I was writing this book, of jumping to something new, which is part of what kept me going in all of this. Are they my favorite scenes in the book? No, but they were probably my favorite to write because it's like I get to take a break and write something whacky and looney, so to speak.

Hmm…is there anything that was harder? You know, revisions are always hard. In the next to last draft I changed Dalinar's arc very substantially, and that was a hard write. And, you know, Adolin was not originally a viewpoint character, so there was a lot of hard writing there. So, poor Adolin probably gets the badge for hardest to write. Not because he as a character was hard to write but because I was having to repurpose scenes and toss out scenes and rewrite them with Adolin as the viewpoint character and so on to add just a little more dimension to Dalinar's plot arc.

Yes.

Question

Why does he do that?

Brandon Sanderson

Because when Kaladin was there and they were touching it, they actually heard the spren that was inside of it.

Question

So it wasn't Syl that he heard, it was —

Brandon Sanderson

It was the sword's spren. That Kaladin was touching it — when a Knight Radiant touches it — you'll see when other Knights Radiant pick up sword, they can hear the screaming.

There's a similarity, but they are also very different.

RIT

Yeah, I noticed they do seem like advanced fabrials, because Adolin just keeps going on and on about how they're all interchangeable and how they all feel comfortable after a while, and it doesn't have the same kind of thing with the Shardblades.

Brandon Sanderson

No, it doesn't. Though a Shardblade, used for a long time, will change shape slightly.

When Kaladin helped Adolin fight in the arena, did Elhokar notice him surgebinding?

RAFO. :)

What is the term for a full Feruchemist who is also a Mistborn?

Can "modern"(as in: Adolin's) Shardplate be summoned similar to how "dead" Shardblades (as in: Oathbringer) can be?

They use Full Feruchemist right now. We'll see if it develops into something else.

RAFO.

I would say that what Adolin did was less dark, personally. I would say that what Adolin did was something that needed to be done, that no one else was capable of doing.

Question

Will it have any ramifications for him down the line? With how it was handled?

Brandon Sanderson

Oh, there are definitely ramifications. How it's handled, there's lots of ramifications. And there are certain characters who would think that what he did is totally, totally, totally wrong.

Ah, that would be very difficult, as the orig-, in most cases, the original person who broke the oaths has to be the one.

Question

Ok. Do you have to have done the third oath before you can convert your spren into a Blade?

Brandon Sanderson

Uh, in most orders, yes.

Question

What about Shallan then? Did she do it, cause she was a kid when she first-

Brandon Sanderson

Um… You will find out more.