I know the last scene of the last book, I've known it from the beginning, I just have to get there.
Fast Forward
Well, let's talk about getting there. Let's talk about the process. Let's take a look at Lord of Chaos from the moment you start it.
Robert Jordan
All right.
Fast Forward
Because you are walking toward a final scene, and because you aren't sure how long it's going to take to get there, in terms of the events that are going to happen, the people that we are going to meet—let's talk about how you wrote Lord of Chaos, and the discipline you placed upon yourself to generate this 700 page book. How did you go about putting this last novel together?
Robert Jordan
Well, first off, along with knowing what the last scene is, there are certain events that I know I want to happen. Certain things that I want to happen, both in relationships between people, and in the world, if you will. I picked out some of those events to see if I could fit them in from the position everyone was in, the position the world was in at the end of the last book. I then began to roughly sketch out how I would get from one of those to the next. And then I sat down and began writing, in the beginning eight hours a day, five or six days a week. And—I do my rewriting while I am doing the writing. When I hit the end, I only allow myself to give a final polish. I keep going back while I am writing and rewriting the previous stuff. By the end of the book I was doing twelve to fourteen hours a day, seven days a week. I did that for the last five months of Lord of Chaos, except that I did take one week off to go fly fishing with some brothers and cousins and nephews up in the Big Horn and Yellowstone. It was terrific. It kept my brain from melting.
Fast Forward
The more intense schedule—was this a more difficult book to write and get to the end of, in terms of the amount of time you had to spend than some of the others in the series?
Robert Jordan
No, not really. They're ALL like that. The only difficulty this time was that I perhaps went to the seven day a week and fourteen hour day a little sooner that I would normally. Partly that's because each of these books takes MORE than a year to write. The publisher likes to publish them once a year, though. With the result that with each book I've slipped a little bit more beyond the deadline, and I DON'T LIKE being beyond the deadline. So the further beyond the deadline I get, the more I want to put the pedal to the floor and get done.
Fast Forward
Does having to put that much time in per day affect your focus, your ability to work? I mean, do you ever get the feeling when you turn something in that if you had another month to do it you could have put more of a "shine" on it, or are you satisfied with the product when it is turned in?
Robert Jordan
I'm satisfied and I'm not satisfied. It doesn't have anything to do with the time. The effect of the time is that I have to work to disengage my mind so that I can go to sleep. I have to read somebody else who will engage my thoughts. Charles Dickens is always great for that. If I don't do that, I will lie there all night thinking about what I'm writing, sure that I will go to sleep in just a few minutes now, and then it gets light outside, and I haven't been to sleep yet. What happens is that I get this DESIRE to keep writing. Once upon a time, before I was married, I used to write for thirty hours at a stretch.
Fast Forward
Good Lord.
Robert Jordan
And then I would sleep for nine or ten. I didn't do this all year round, it was just when I was working on a book. When I get going, I want to keep going. And about the other thing, I ALWAYS think I can make the book better. I'd probably spend five, six, ten years on a book if I was left to myself, trying to polish each phrase. So it's just as well I do have deadlines to bring me into the real world.