Search the most comprehensive database of interviews and book signings from Robert Jordan, Brandon Sanderson and the rest of Team Jordan.
2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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Post your questions for Brandon here.
Brandon has kindly agreed to answer questions for both The Way of Kings and Towers of Midnight. This thread is for Towers of Midnight questions only please!
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The glossary, remember, was begun as a tradition before there were internet wiki sites, and it's limited by size in what it can contain. I don't do the glossary; that's all on Team Jordan. Maria handles it.
As for why the big secret was included in the glossary, I've said before that Harriet made the decision where it would go. I actually did suggest it, though I later changed my mind and thought I would put it in somewhere else, but she said, "No, I love this idea of the glossary." The reason I think that we like the glossary location so much is because the instruction I received from Robert Jordan was just a Post-It note that had written on it, "This is right," attached to a sheet of paper that was an explanation, one of the many, printed off from the internet, talking about who killed Asmodean. That Post-It note saying "This is right" was all there was—I didn't know the how, the why, the circumstances, any more than you know. So we felt that rather than extrapolate all of that ourselves, the best thing to do, as frustrating as it might be, was to give you the information much in the same way that we got it, as simply a "This is the person." That still allows a bit of theorizing on how this person was involved in the event, whether it was by her hand directly, or whether a servant was involved, or that sort of thing. That allows for theorizing.
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Most of Robert Jordan's titles had twists. There are some that were very straightforward—The Dragon Reborn; The Great Hunt. There are others that are simply things like Knife of Dreams, which comes from a line in a quote at the beginning of the book. The titles usually refer to something specific as well as something metaphorical. Towers of Midnight is the title I chose. There of course are the Towers of Midnight in Seanchan, and if you knew what those were for, and why they were there, it would illuminate the question a little bit more. But the title also refers to the towers that Egwene saw.
My working title for this book was The Three Towers, as a pun on the title of the second book of the Lord of the Rings. I was writing the second book of a trilogy of sorts here, and was dealing with the Tower of Ghenjei, the White Tower, and the Black Tower. There was going to be a lot more Black Tower stuff in this book which has been moved to the next book, but when I was working on it, we had a lot of focus on those three towers. So the name just struck me. It felt like the right thing to do.
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In reverse order: The editorial mistakes were basically because of the fast turnaround time between when I finished the book and when it was put out. We're working to get those fixed for the ebook and paperback editions, but really, deadlines are to blame there, which is one reason we're slowing down for the next book.
What you're seeing with the surprises, as you described them, is that not all of those are mine; I'm writing some of them that Robert Jordan left instructions on how to write, and the way I plot and reveal is going to be manifest in the way that I approach it.
In response to your first question, I'm given complete creative freedom in these books. Partially because Harriet trusts me, and partially because that's what a writer needs in order to be able to write a book like this. That said, I've mentioned before that I feel a strong compulsion to try to do the books as close to the way Robert Jordan would have as I can, taking into account my own writing style. I'm not trying to make these Brandon Sanderson books; I'm trying to make them Wheel of Time/Robert Jordan books, but I'm also not trying to imitate him since that would turn out as a bad parody. In the end, I'm allowed to do whatever I feel needs to be done to achieve the storytelling the story demands. I do have to convince Harriet, Maria, and Alan that it's the right thing to do. And in some cases that's an easy thing to do, and in some cases it's a harder thing to do. But in all cases I get to write it first and then let them read it. And if I don't manage to pull it off, then I say, "Well, let's try something different."
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There are some channelers who have lost strength in the Power (Siuan and Moiraine), is this something that can be Healed?
You have to still/gentle them again, and then have them "Healed" by a channeler of the opposite sex...thats why when Nynaeve healed Logain, he regained all his power.
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I know what you're talking about. I won't confirm 100% or not, but the phrasing was intentional.
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On a slightly related note, the Chosen had protection from the taint, was this something unique to the Chosen (it occurs to me actually, that said protection could only have been given AFTER they were freed from the Bore, as such a precaution would have not been needed before Lewis Therin sealed the Bore), or would all Darkfriends have such protection?
To answer my own question, I'd guess it was unique, else male Darkfriend channelers would have been at a huge advantage after the Breaking.
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Did you ever get bothered with how late Perrin's POV was and how chronologically disorienting his parts were at times (good job on the Tam being picked up and Rand in Dragonmount portions though)?
Did you like having to "jump back in time" or was it just something that had to be done as Perrin's was so late in the the WOT timeline?
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