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2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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May 24th, 2004
Verbatim
IT
Chiara Codecà
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Are you familiar with Schrödinger’s cat?
I was not, but I checked when I found out that you mentioned it in another interview.
(Smiles) You did your homework. It’s quantum physics. It’s a theory that says that if a cat were put into a steel closed chamber filled with radiation you can’t know if the feline is dead or alive until you open the door. Until you do, because of the superposition of possible outcomes that exist simultaneously, the cat would be dead and alive at the same time.
Schrödinger's Cat is really a test in a way. If you can wrap your mind around Schrödinger's Cat and accept that, then you are ready to take on quantum physics. I also think, if you can wrap your mind around Schrödinger's Cat and accept that, than you are ready to write fantasy.
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Oh, yes. I used Arthurian legends, Chinese and Japanese mythology, Indian mythology, traditions from Latin America and Africa. Some myths from Europe, but not much of Celtic because it’s been done so much.
This means you’ve read about all of these subjects?
I read about everything. My knowledge is this wide and much less deep. I truly like to read about a lot of things.
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I do in my writing style, not in the stories I tell. I believe six writers to have influenced the way I write: Jane Austen, Mark Twain, Charles Dickens, Louis L'Amour, Robert Heinlein and John D. McDonald. I know it’s a very wide range group of writer….
Well, it certainly tells a lot of the wide range of your readings.
(Laughs) Jane Austen gave me an insight in the relationship between characters and in what we might call “social relationship”.
Mark Twain did something that was unheard of, in his time: he had people speak the way people really spoke. I think it was revolutionary. Twain was the first to use the common language of the day, he taught me to use language the way I wanted. Dickens did some of the same, but later.
L'Amour, John D. McDonald and Heinlein all gave me something about the use of language, mainly a certain freedom in using words, a lack of rigidity.
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I hope that there will be only two more books in the main sequence and then two prequels, the first prequel, New Spring, is already published. I said “I hope” because when I started out I thought it was only going to be five books, then it grew on it’s own.
So when you began The Wheel of Time you knew where you where heading?
I know exactly where I'm heading. I've known the last scene in the last book for about 20 years.
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Yes, but there’s no way I’ll tell you anything else about it.
Tell me something about the prequel, then, New Spring. I know it was originally a short novel you published in 1998.
Yes, but it’s not an expansion. The novel New Spring is what I wanted to write in the first place, but I realized that Robert Silverberg would get very angry if I’d sent him a 120,000 words to put in his anthology! So I did a lot of cutting and I made it fits into the anthology, but I still had that novel waiting to be written and I wanted to write it because there was a lot to be said that really fits into the rest of the series.
Even if the prequel has only two storylines while my normal books have four or five storylines there are things that you will not see anywhere else, such as the test for Aes Sedai. You actually see someone take the test for Aes Sedai and you learn how that is done: I have no intention to ever showing it anywhere else.
Also there are clues in New Spring not only as to why certain people hate each other in the main sequence books, but why certain people die in the main sequence books, and I’m not going to put the evidence anywhere else because I’ve already given it here.
That’s why you decided to publish the prequel before the end of the series?
Well, I decided to published New Spring before going on because my publisher asked me to do it, but in retrospect that was probably a mistake. I shouldn’t have. It won’t happen again, though, I’ll work on the next two prequels only after I’ve finished the main sequence books.
And then what will you do? Do you already have another series planned?
Yes, a much more compacted sequence of books. Set in a different universe, different world, different rules and different cultures. Nothing that will be reminiscent of The Eye of the World or The Wheel of Time at all.
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Red Eagle Entertainment has signed an option to create a feature film based on The Eye of the World. I hope that this will happen, but we’ll see.
Will you be involved in the production?
To some extent. The contract I signed asked me to be a consultant but how much movie makers consult writers….well.
Are you worried about what can become of your work?
Well, you always worry because once they get their hands on the book they can do almost anything they want with it. For all I know they could re-release Sorority Babes in the Slimeball Bowl-a-rama under the title of this book.
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