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2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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Apr 21st, 2012
Verbatim
Roswell, GA
JordanCon 2012
Terez
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I transcribed this one all by my lonesome. I prioritized LibertyCon since Marie already did a summary of this panel in April, and many of us were there anyway. The video just came out for some reason. (In August.)
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The book was originally planned for November, but when we got down to it in January, when Brandon turned in first draft material, I saw to my horror that Tor was planning to publish on November 27th. Excuse me, that's not really November—that's after Thanksgiving—and it seemed to me kind of a not very wonderful date. We needed time for editing, and for Brandon to come to a later draft status on the book, and the more we thought about it it seemed pretty nuts to break Brandon's back as well as ours to get a book ready for November 27th, which is sort of nothing...if if you're looking for Christmas, you have to get the book into the stores before Thanksgiving. You really do, because things are so nuts with Black Friday that the staff isn't actually gonna get stuff out of the back room in time, and thus we got to January, which seemed like a good bet. We would gain more time for the editing and to maintain the sanity of people at Tor Books and Peter and Maria and Alan, and moi. So somehow we arrived at January the 8th, which is a Tuesday, which it must be if you're aiming for number one on the Times list, because of the way Times reporting happens, and it keeps it in the last month of the Year of the Dragon, which seemed like a really good thing to do.
Harriet, I think that a lot of us would agree that, take all the time you need to make us the best book possible, right? (applause)
If you reserve a copy of the book, that's not so long to wait after Christmas day itself, and in the old way of counting, the twelve days of Christmas do exist. Christmas is the first day.
Well, I think our families probably appreciate the fact that we will not be reading this during Christmas. I for one know I'm going to have to take two weeks off.
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No. Excuse me, there will be an encyclopedia of the Wheel of Time, but that's the only other book that's planned.
As a continuance, will you be willing to license it out to people who you feel are worthy to do it?
No. My husband was very strong that he would rise from the grave in wrath if that happened. He really, really didn't want it.
No zombie Jordan!
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The year after my husband's death, I signed a big, fat contract with Universal giving them the movie rights. They have the rights by contract to make a miniseries or movies of the Wheel of Time books, and they have seven years to get the first movie into theaters. And I've forgotten what the timing is on the miniseries. Somebody here in the room has seen a first draft of a movie script and said it is..."execrable" would perhaps be the correct word. Just no—no, no, no, no. I have not seen this, but the clock is ticking. I would...does anybody remember the Ralph Bakshi movie of Lord of the Rings?
Yeah...
Yeah, was that the pits or what? Just awful. And it didn't kill the Lord of the Rings, because now there's the wonderful Jackson. It may be that this will happen with the Wheel of Time. I don't control it; I do have a little....if they sat down to make a triple-X movie out of The Eye of the World, I think I would be able to stop them legally. I don't have...I can't say "You have just really messed up this character." They would say, "Thank you, we've consulted you, now go away." It's pretty much how it works. The chances are that it may be shelved and never made at all under this contract; I get the rights back if they do that, after seven years...which is so peculiarly Biblical. (laughter) I think about the Pharaohs and the kine, and the lean kine and the fat kine, every time I say that. You know, why do they do that? They're obsessed with [permits?] maybe.
So, chances are it will never be made—it will not be made under this contract. The next likely chance is that something awful will be made, and the third possibility is that they'll do it right and something wonderful will happen. I think it's about 50-50 that they're gonna shelve it. It's been very slow so far, and I don't think they'll make the deadline. But I hope they're all sitting out there going very broody about the Game of Thrones. They should be, little dollar signs flicking through their eyeballs like saa. (laughter) Because this would be bigger, if they did it right. It would be wonderful if they did it right, but there's no way to even expect that. The wisdom among writers and publishers is, "Oh, you're offered money for a movie? Take the money and run, and never, never go to see what they do with it." But of course I will. (laughter)
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Actually, we are getting close to the end of The Eye of the World, and it's going well. We haven't talked at all about The Great Hunt, but I'm hoping that we'll start. We've got one more script to go for The Eye of the World, and then hopefully we will be moving on, and the next graphic novel will be out in the fall, part two of The Eye of the World, and it's a lot of fun doing that, and I hope you'll all check it out.
It's put us in awe, also, of the amount of work that goes into creating a graphic novel. A great deal on our part, looking stuff over for approval, but what's happening in the graphic shop, and it's not unusual at all to get emails at 10pm Friday night, or midnight Saturday night, you know, "Here's the latest stuff from us." You know, when do you guys sleep? Any of you who are graphic artists out there, I guess you know what it's like. It's total geekdom. You don't think about eating, sleeping...you just do it. And the amount of change that has to go on in every single panel is pretty awesome.
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I've generally written most of the flap copies on all the books. The flap copy is what's on the inner side of the cover of the hardcover, on the dust jacket, the stuff that says "So-and-so..." I remember one of my favorite ones was when I went and..."Siuan Sanche is suspected of barn-burning, in her tattered straw hat." But I was writing the flap copy for The Dragon Reborn, and at the end of the flap copy, I said he is pulling the sword from the Stone... "You son of a gun, you've done it again!" (laughter) But I honestly hadn't figured out it was the sword in the stone. And it really did surprise me, even though I'd been all the way through it, and had edited it, and was writing that flap copy.
Do you have one Maria?
Yeah. It's not a huge one, but we were working on Knife of Dreams—I almost said Knife of Daggers, and I was like, "I know that's wrong." (laughter)—and I got to the part at the end, where Perrin whacks Rolan, and I went running downstairs..."Oh my god! You killed Rolan! I can't believe you killed Rolan!" And Robert Jordan says, "What? He was toast from the start!" (laughter)
Do you have one Alan?
No, I've pretty much nailed it all along. (laughter)
We all tell the truth, all the time.
One of the scenes I keep coming back to that very much impressed me was when Perrin cut off the limb of the captured Shaido, which was a scene...it was surprising, because this was a fellow who had been resisting his lower urges, if you will, all along, but his love for his wife was so great that we saw the degree to which he would push himself to save her, and it's the first inkling we had of what kind of stuff Perrin was made of, up to that point, I think.
Peter, do you have one?
When Demandred was revealed to be... (laughter) (applause)
That's not nice!
Um...sorry, I got nothing.
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Not really. I could tell you, and the reason is that the number...I've worked out the number of pages because the computer tells me, and as Brandon sends us parts, and I've added them all together with a pencil. But this is in 12-point type, and it includes a lot of editorial back-and-forth, so it's looking fat. But it's skinnier than it looks. And there are some sections Brandon and I are having—well, even one I don't think he's seen yet—animated conversations about cutting. Well see, I really hesitate very deeply to say because 12-point type is a lot bigger than 10-point, and then you have to adjust from manuscript page to printed and on and on...I think probably at least eight hundred.
It's gonna be fat.
It will at least be pleasingly plump. (laughter).
Just big-boned.
And it'll look great on the bookshelf.
Absolutely, very impressive!
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Well, the first thing is that Brandon writes, and...you could talk about that, Peter. I don't really know much about Brandon's writing process except that it tends to be at night. (laughter)
Well, for those who aren't aware, Brandon...(sigh)...Brandon tends to stay up until four o'clock in the morning writing, and then he gets up at noon. So he gets up at noon, and then he writes from about one to five, and then he is with the family until bedtime for the kids, and so from about...I guess he starts writing again at about eight, and then he keeps going until four. Some of you may be interested to know that he has a walking treadmill desk, so he does a lot of his writing standing up, walking on the treadmill (laughter) and when he's not at the treadmill, he's got multiple fireplaces around the house now, so he's usually in front of one of those.
Are they wood-burning, or gas, or what? (laughter) I love fireplaces!
Uh...they are gas fireplaces.
Yeah, those are fun. Then Brandon gives us the first draft, and some bits are rough, and some are polished. And we go through it with our three various combs. Mine is characters and prose. Maria is continuity. I am not. (laughter) And she's a wizard at that, and Alan is a military wizard. And notice it's...I guess sexist, to give him the boy's stuff. (laughter).
I get all the alcohol as well. (laughter).
That's just 'cause he's lucky.
And Alan does Old Tongue and geography as well, because I kinda stink at both of those.
And I just kind of lose my temper with the geography. (laughter) And then, we get this stuff, and with this book, we're doing a better...it is a better thing we are doing for our country this time. (laughter) We send our combined nit-picking to Brandon section by section, and right now he's had...what did I send you last week? Five?
Part six.
Six! I'm in eight; so is Maria. (to Alan) Where are you?
Seven.
Seven. And we'll wait until Alan has finished eight before it goes back to Brandon, so that he doesn't lose his mind, and nine is followed only by the epilogue, so we're almost through. And then Brandon will send it back and there will probably be more animated conversation (laughter), and this time it will include words from Brandon that sort of say, "But you said..." (laughter) And we'll work it out, and we hope to have it in New York June 15th, and that might seem like a long time for January 8th. Believe me, it's not. And it will...is Paul Stevens here? Yeah, hey Paul! This will save...if we can do it, it will save the coffee cart from adding Prozac and Gelusil in massive amounts, right?
Yes.
But it might be...there is [?] [whispered conversation with Alan, something about June 15th]
Scary, isn't it? (laughter)
That's the goal.
It is in two months.
But, we don't think Brandon really needs to sleep. (laughter)
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The final artwork has been delivered by Michael Whelan. And it was gonna be shown to you ravening characters, except that Mr. Sweet has very kindly brought his father's magnificent art, and we decided not to, because we want you to eyeball and enjoy all the beautiful Darrell Sweet which is hanging in the art show, and it's just bursting with life if you haven't seen it yet. It's wonderful. But it should be possible to look at the Whelan...I dunno...Paul, when are you going online? Do you know?
I don't know...we were discussing that. [something about a couple of weeks]
Paul's cover copy [?] [something about "I answered you this week..."] "Paul, give me a break! This is JordanCon. Next week?" But it's a beautiful cover. I guess that's an oxymoron...I mean a redundancy; it's Michael Whelan. It really is beautiful, but he is also—I don't know if we spoke about this—but I think he has taken pains to make it a compliment to all of Darrell's work on the series, so it's at one and the same time unmistakably Whelan, but it is also complimentary when it's put up with all the covers racked out. You'll see what I mean when you get a look at it.
Excellent. We only have three more minutes, so I have a question here, and then I'll go to Matt.
My question was about Michael's cover. Did y'all have any particular scene that you wanted him to illustrate, or did y'all give him a couple of scenes, and he goes, "Oh..." and [?]
No, in this case, Brandon worked with him at first, and I wasn't really privy with that. It was great; it started out that Michael Whelan was going to do a cover for the ebook of A Memory of Light, and Brandon and Michael were playing together happily. (to Peter) Any comment on that? It was the same scene always, wasn't it?
Actually, Michael was curious about one of the scenes that might get deleted, but Brandon said that wouldn't be good for the cover anyway, so...(mic feedback) (laughter) (switches mic) Um...hello? (laughter) It mostly goes through Irene also, so Michael did one main sketch that had the full wrap-around cover, and then he did four alternate front covers, and then Brandon gave his feedback to Irene, and Tom Doherty gave his feedback, and...
So did we.
Yeah, and Harriet gave her feedback, and then...so they picked which one they liked the best, and the finished version, I also agree, looks fantastic.
And then of course, when we found that Darrell will very sadly not be here, the decision was whether to use it on the hardcover as well...and it's grand. It really is.
And there was a section where Michael Whelan sent a bunch of questions to make sure he had everything right, and Brandon had to answer some, and I had to answer some, and so...
And Sam? Is Sam Weber here? Well, Sam told me yesterday that Michael had called him and said, "What's a ter'angreal? (laughter) So thanks to Sam Weber too.
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