Search the most comprehensive database of interviews and book signings from Robert Jordan, Brandon Sanderson and the rest of Team Jordan.
2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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I can't pick three characters who are my favorites because my favorite is always whoever I am writing at the moment; that is, whoever is the point of view character for any given scene, I like that person and I like that person more than anyone else. I think that's a very basic human emotion. We like ourselves. And the reason that sacrificing yourself for someone else is such a big thing is because we do like ourselves very strongly. Now, if I don't like that character that I'm writing more than I like any of the others, then the character doesn't come out as being real.
There's something tainted in the writing. Something false.
Because I'm trying to get inside that character's skin, inside their head while I'm doing it. My wife will surprise the devil out of me. I'll come into the house with the day's writing, and before I've even said a word, she'll say to me, "Oh, you've been writing Padan Fain today, haven't you?"
And what's really frightening about it is one, I haven't said a word, and two, that even if it wasn't Padan Fain, it was somebody else that you really don't want to be alone with.
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Before they saw me, they had assumed that Robert Jordan was the penname of a woman, because, they said, no man could write women that well.
Although I seem to remember an interesting bit here about you not wanting to meet him after he'd just written somebody like Hannibal Lector. Sometimes he'd come down for dinner and Harriet, without him having said a word, would say, "You've been writing Padan Fain again, haven't you?" And although it would not always be Padan Fain, it would be one of the non-pleasant characters.
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The standard 'Harriet saying you've been writing Padan Fain again, haven't you?' anecdote came along. [Now I remember that the character he mentioned actually writing was Semirhage.]
He again mentioned the list of writers: Holdstock, Powers, Ford, Friedman, Jones.
He likes George R.R. Martin's books, gave him a quote for his first book.
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It seems that some of your readers don't think of your novels as fantasy so much as a really fine-grained history of a world that might have existed or might yet exist. Do you perceive your world as real?
I think that I have to. Any writer has to try and think of his world as real, because if he thinks of it as a construct, that's going to come across to the readers. It's very much like the question I'm often asked: who is my favorite character. It's whoever I'm writing at the moment. Even someone like Padan Fain or Semirhage. Most people like themselves, and if I don't like the character I'm writing, then it's going to come across to the reader that this character doesn't like himself or herself. My wife says she can tell when I've been writing Padan Fain or somebody like that when I come into the kitchen in the evening. I make myself see this as a real place when I'm working on it. That way it comes through, I hope, that I see more than I write.
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FRIDAY 23 July 2004
Things went even more smoothly on Friday.
Les Dabel picked them up again and I met them at the curb. RJ was in a great mood and had a smile on his face pretty often. This time we went right to the autograph area where a table had been setup for him to sign books. The Dabel Brothers and their team were all there. There were other celebrities nearby: I think Stan Lee was over at the next table signing photos of himself.
RJ signed books for about an hour. Again, he was able to personalize most of them, and there were few enough people where he was able to sign as many as they brought. One guy had 12 or 13 things for him to sign: all ten WoT novels, plus the Guide, some promo items I had sent out, and even some copies of Jordan's other books.
After the signing was over, Harriet and RJ had some lunch plans. I met up with them a few hours later when it was time for the second panel discussion. This one was entitled "Painting the Big Picture—Speculative Fiction on a grand scale".
During this discussion, RJ was much more talkative. He spoke quite frequently, at length at times. He cracked several jokes. He talked about many things he's talked about before: how he writes seven days a week, sometimes misses lunch, how Harriet can tell when he's been writing Padan Fain, how when we goes fishing and they aren't biting he feels like he should still be writing instead, and how he is the OLD TESTAMENT GOD in the lives of his characters.
Afterwards, I met up with him and Harriet and escorted them over to the final book signing of the weekend. It was by far the most popular one, and so I suggested that people just have two books signed per trip through the line. (If you were somebody in line with more than two books, sorry!! That rule always bugged me whenever I went to book signings, but now I see why they do it.) In the end, everyone had time to get all of their books signed. The few people who had brought suitcases of books (yes, suitcases!) were patient enough to just wait until the end, and then RJ signed all of their stuff.
After the signing, the Dabels took them back to their hotel and I went to go watch the special The Return of the King footage from the Extended Edition DVD. :)
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He answered NO and then proceeded to say that he tries very hard to get into the character he's writing about. He mentioned that sometimes when he's helping Harriet prepare dinner she'll go, "Have you been writing about Padan Fain today?" He said she's usually spot on, though it might not be Padan Fain but Semirhage, or Graendal or someone of that ilk.
He then told a story about how when he was a little boy (I didn't catch the age but I would guess 5 or younger) a neighbor woman went to pick him up. He mentioned that he had noticed the way the dress shifted with her movements and how unlike it was with his mother and how the perfume this woman was wearing was different than his mothers, and when this woman went to pick him up she slipped a bit and his "face got buried in her busom" and he felt a bit light headed. (big laugh) The woman laughed and called him precocious. He then said that ever since that day he's paid special attention to women. He said that he's paid so much attention to women that he now has an insight into how they react. This is why he has tried to create a gender equal environment in WoT.
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One of my favorite parts of the evening was when a question pointed him at who he felt he most resembled and someone in the audience suggested Loial because "he was a big teddy-bear" (yes, you may surmise this was posed by a woman...). He laughed at that and said that an old girlfriend used to call him a "teddy-bear but knew that he wasn't because she had seen the shadow of the man walking next to her and it more resembled a grizzly-bear..." He enjoyed the memory...
Never said who he felt closest to but did say, again, that it depended on who he was writing that day... He said he hated it when he came into her room and his wife would say, "You've been writing Padan Fain today!" Needless to say, he implied he wasn't popular on those days!
I was also pleased to hear him say that Lan had been modeled after his father. If only we could all be that type of father!
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This is a collection of quotes that were organized by Raina (presumably an old rasfwrj person) some time in 2001. Most of the original sources for the quotes she collected were found online, so those quotes aren't included here. These are only the leftover quotes, and as a result we have no idea where they came from or when they were asked, unless there are clues in the text. Sometimes it's not entirely clear if consecutive paragraphs are from different reports or the same report. We are, however, always searching for these lost interviews, and when we find them, we'll delete the quotes from this collection. I'll include Raina's introductory comments below, along with a list of the categories, each of which links to a Google Doc containing a link to the original category and an annotated copy of the page's original contents, linking to known sources and highlighting lost sources, which are the ones included here. Raina also drew from these interviews for her collection (and those quotes are not included here):
Letter to Tom McCormick: December 1993
Sense of Wonder interview: October 1994
Compuserve chat: October 19, 1994
AOL chat 1: October 21, 1994
AOL chat 2: October 21, 1994
Sci-fi Channel Interview: April 23, 1995
East of the Sun Con�Karl Johan Nor�n: June 16, 1995
East of the Sun Interview�Helena Lofgren: June 17, 1995
Balticon XXX�Bill Garrett: April 5, 1996
Balticon XXX�Pam Korda: April 6, 1996
ACOS Signing Report�Brian Ritchie: June 21, 1996
Compuserve chat: June 26, 1996
AOL chat 1: June 27, 1996
AOL chat 2: June 27, 1996
ACOS Signing Report�Hawk: August 4, 1996
ACOS Signing Report�Robert Watson: August 23, 1996
ACOS Signing Report�Lara Beaton: August 23, 1996
ACOS Signing Report�Greebs: August 25, 1996
ACOS Signing Report�Erica Sadun: October 9, 1996
ACOS Signing Report�Mike Lawson: October 12, 1996
AOL chat: October 19, 1996
DragonCon Sci-Fi Channel chat: June 28, 1997
Barnes and Noble chat: November 11, 1997
Waldenbooks Interview: October 1998
Barnes and Noble chat: October 19, 1998
TPOD Signing Report�Aaron Bergman: October 20, 1998
TPOD Signing Report�Pam Basham: October 22, 1998
TPOD Signing Report�Drew Gillmore: Octoer 24, 1998
TPOD Signing Report�Justin Howell: October 24, 1998
TPOD Signing Report�Chris Mullins: October 24, 1998
TPOD Signing Report�Rick Moen: October 25, 1998
TPOD Signing Report�Kevin Bartlett: October 29, 1998
Sci-fi.com chat: November 1, 1998
Amazon.com interview: November 6, 1998
TPOD Signing Report�Matthew Hunter: November 14, 1998
TPOD Signing Report�Michael Martin: November 15, 1998
TPOD Signing Report�John Hamby: November 18, 1998
TPOD Signing Report�Melinda Yin: November 18, 1998
TPOD Signing Report�John Nowacki: November 20, 1998
TPOD Signing Report�John Hamby: November 21, 1998
TPOD Signing Report�Rachel K. Warren: November 21, 1998
TPOD Signing Report�John Novak: November 21, 1998
Brisbane Signing Report�Joel Gilmore: September 21, 1999
Locus Magazine Interview: March 2000
Orbit interview: October 2000
Barnes and Noble chat: November 11, 2000
WH Signing Report�Ryan R.: November 12, 2000
Sci-fi.com chat: November 14, 2000
CNN chat: December 12, 2000
Author's Table Interview: 2001
Leiden Signing Report�Aan'allein: April 2001
Amsterdam Signing Report�Aan'allein: April 5, 2001
Rotterdam Signing Report�Aan�allein: April 6, 2001
Dromen and Demonen chat: April 6, 2001
Elf Fantasy Fair�Aan'allein: April 7, 2001
Elf Fantasy Fair�Aan'allein: April 8, 2001
Interview with RJ�Kurafire: April 10, 2001
Marcon Report�Sorilea: May 2001
Below are collected various Jordan questions and answers, and reports from interviews. Not all quotes are guaranteed to be here, although I try to be thorough, and in some cases I've deleted answers that repeat material more or less verbatim. They are organized into categories by topic, and some are in more than one category, so you shouldn't find it hard to find a quotation you're looking for. Try 'Miscellaneous' if none of the categories seem to fit. As for such categories as 'Sex and Sexuality' and 'Bela'�you asked the questions, I just sort them.
And please stop asking who killed Asmodean or if Moiraine will be back. 'Read And Find Out' is already far too long!
In several cases, the people who provided the quotes have included comments of their own on the questions or answers. As such, any interpretations of Jordan's words do not necessarily represent my personal opinion. A few comments were written by me, and they are in blue text and signed Like this�Raina. so you should have no trouble working out which is which.
Robert Jordan Himself
How long will the series be, how long will it take, and does he know the end?
What if he dies before finishing it?
How did the series originate?
How does he go about writing the books?
What are his sources and inspirations?
What else has Jordan written?
What else is in the Wheel of Time universe?
What is he planning to write?
Fan reaction to the books
Spin-offs: movies and so forth
The Wheel of Time game
Fantasy as a genre
Jordan and Tolkien
Advice to aspiring writers
Guide Art and Cover Art
WoT versus reality
Themes of the series
What books does Jordan read?
Timing of events in the series
Workings of the Wheel
Women and Men
The One Power, the True Power, and channeling
The Dragon
The Heroes and the Horn
Tel'aran'rhiod and other dreams
The Age of Legends
Is he his characters?
Rand al'Thor
Mat Cauthon
Perrin Aybara
Egwene al'Vere
Nynaeve al'Meara/Mandragoran
Moiraine Damodred
Al'Lan Mandragoran
Min Farshaw
Elayne Trakand
Aviendha
Thom Merrilin
Faile ni Bashere t'Aybara
Berelain Paeron sur Paendrag
Tam and Kari al'Thor
Padan Fain
The Daughter of the Nine Moons
Birgitte and Gaidal Cain
Verin Mathwin
Cadsuane Melaidhrin
Galad Damodred
Sharina Melloy
The Shadow
The Black Ajah
The Forsaken
Shadar Logoth
Slayer
The White Tower
The Black Tower
Warders and the Bond
The Aiel
The Aelfinn and the Eelfinn
The Oath Rod
Language and the Old Tongue
The Ogier
Geography
Theology
Prophecy
Blademasters
Other Lands (Shara, Seanchan, the Land of the Madmen)
Sex and Sexuality
Bela
Trivia
Miscellaneous
Read and Find Out!
Questions for the future
Raina's Hold
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I'm very interested in the way that Mr. Jordan expanded the viewpoints in this book. Here is where we first begin to see the scope of this story, in my opinion, as we start to get viewpoints from Moiraine, Fain, and numerous others. This is one of the things I've always liked about Mr. Jordan's writing—in fact, it may have been one of his greatest talents. His ability to craft a very intense, well-written, and engaging third-person-limited viewpoint. If there's one thing I could pick to learn from his writing, it would be how to do such a good third limited.
I'm about halfway through the read right now, and like how quickly-paced this book is moving. Sometimes, readers get down on Jordan for his pacing, but I've found that these first books move at a real clip. I think the shifting viewpoints in this book is how I prefer it; I remember that later, he starts to divide the books in chunks, having a large section from one viewpoint, then moving to another viewpoint for a long time. We'll have to see how I feel about that when I get to it, but for now, I like having short chapters moving from viewpoint to viewpoint so I never lose track of anyone for too long.
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There are about 50,000 words of secondary plots that Sanderson wants to include in Towers of Midnight. He's just not sure all of it will get into the book. If something gets cut, he'd like to get to his fans on his website.
This lead to quite a bit of discussion about Towers of Midnight. It will be a very different book from The Gathering Storm. The Gathering Storm was very intentionally focused. Brandon felt strongly that a 'hit' wasn't good enough, that The Gathering Storm needed to be a home run. (At the table, we all thought it was a home run.) Towers of Midnight will need to catch up many plot threads and will be much less focused. This will have its problems and it will be a big struggle to find the right balance—they aren't there yet in the writing process. Brandon mentioned a few plots as examples which strongly suggests they will be in Towers of Midnight—Loial, Lan, Fain, Taim, Logain, Elayne, if Mat does what fans think he will, etc.
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The Dark One would spit him back out because he tastes bad.
In honor of Asmodean, I'll say that there is a mysterious death in The Way of Kings that could use some resources devoted to it. I did not put it in there simply because of Asmodean, but as I thought about it after writing it, I said, "Oh wow, I wonder if people will pick up on that." So there you go.
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He wanted to include him in The Gathering Storm. He then said he 'may or may not have been' writing about him on the train ride on the way to the signing!
So, pretty much confirmation that Fain will be in book 13! Where do you all think he is? My friend thinks he is posing as an agent from the Dark One and manipulating Taim in the Black Tower.
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Did Robert Jordan have a favorite character?
Yes—the one that he was writing that day. She said that some days after writing he would come into the kitchen slouching and sidling up against the wall, and she would say, "Have you been writing Padan Fain today?" She went on to say that he always wrote from "a position of love" for every character.
Brandon tells about one of the editing notes that he received from Harriet which read "Padan Fain needs more crazy."
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You said in The Gathering Storm, the Rand was very dark. Was his darkness in the book hard to write?
Rand's darkness was certainly hard to write. But there's a piece of the writer that says when this is tough, that's good. One, you're pushing yourself. Two, if it's emotionally hard for you, and you're doing this the right way, it's going to be emotionally hard on the reader, and that's a sign that they will be emotionally invested. So yes, it was hard. How did I get into the mindset? The same way I do everything. There's actually a lot of method acting to writing, where you sit down and become that character for a time. Harriet has a story about Robert Jordan and how he did it. She could always tell.
I could generally tell when he came in for the evening news and supper whether he had been writing a good person or a bad person. In particular there was an evening when he came in and slammed the door, and was skulking around the wall like this [hunches up against the bookshelf behind her], and I said, "You've been writing Padan Fain, haven't you?" And he said, "How did you know?" Usually he came in and said "Hello, honey!"
So you get in the mindset and go, and sometimes it works and sometimes it doesn't, and if it doesn't, you throw it away and start again the next day.
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I do wish I'd managed to either get it all into one book, or managed the split between The Gathering Storm/Towers of Midnight better. Also, I might have tried to work Fain in more if I'd had more time. Also, there are some little continuity errors here and there that I wish I would have caught.
It's hard to say. For example, would I have written Mat differently in The Gathering Storm if I'd had the time? Perhaps. But it was writing Mat the way I did that helped me understand him, so perhaps not. There are mistakes in the books I did, as there are in all the books I've done, but I'm not sure if the right thing to do is change them. Otherwise, we get into a Lucas-style revision-fest.