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2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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I didn't read all of the conversations you had about it on Twitter and Facebook, and I didn't really have gender roles in mind so much as other things. I understand what you're saying about how his world requires certain gender imbalances—I addressed that sort of offhandedly in my post by saying that the 'in practice' roles in WoT are often not what you would theoretically expect considering the circumstances. And while RJ often made comparisons to various time periods in the real world in reference to technology in particular, I'm not talking about that—I'm talking about the theoretical result of the history of the WoT world. Many of the gender imbalances are logical, but many are not, which is why they don't feel realistic at all to many readers.
The main problem I had with your comments is that you said that anyone who accused RJ of sexism for whatever reason was 'blatantly wrong'. You sort of trivialize those things that we are 'left with' after cutting away the complex and subjective debate over gender roles, but those things we are left with are so pervasive in the novels that they give an overall impression of an old-fashioned and often casually sexist man behind the curtain. This is a big turn-off for some people, and while I feel that those who cannot overlook it are missing out on one of the greatest stories of all time, I understand that it is a legitimate complaint.
As for the female nudity...just no. :p I mean, I know you read all the interviews at one point. 'No Male Nudity' (NMN) was not quite as popular as RAFO, but it was definitely one of his favorite stock answers (especially in reference to movie questions—it was his 'one rule') for a good few years. He was pretty blatant about his preferences there, and while I'm sure he had several cultural influences in mind, in the end it's pretty clear that he just enjoyed writing about naked women more than he enjoyed writing about naked men.
I agree that it's wrong to judge RJ as a person anachronistically, but at the same time, I think it's wrong to make such a blanket statement about the veracity of our claims of sexism in WoT. It's there, and it's real. I agree that some people take the criticism too far without considering certain things—I've had these debates (on non-WoT forums especially) many times over the years—but it seems to me more constructive to criticize the exaggerations, or to criticize each argument on its own merits, than to denounce any and all claims of sexism in WoT in one fell swoop.
I had this scene from The Fires of Heaven in mind, and it sums up many tweets I made on the subject which were omitted:
Moiraine, seeming slight and small beside the others, also looked unruffled, although sweat rolled down her pale nudity and slicked her dark hair to her scalp, with a regal refusal to acknowledge that she had no clothes on. The Wise Ones were using slim, curved pieces of bronze, called staera, to scrape off sweat and the day's dirt.
Aviendha was squatting sweatily beside the big black kettle of hot, sooty rocks in the middle of the tent, carefully using a pair of tongs to move a last stone from a smaller kettle to the larger. That done, she sprinkled water onto the rocks from a gourd, adding to the steam. If she let the steam fall too far, she would be spoken to sharply at the very least. The next time the Wise Ones met in the sweat tent, it would be Egwene's turn to tend the rocks.
Egwene cautiously sat down cross-legged next to Bair—instead of layered rugs, there was only rocky ground, unpleasantly hot, lumpy and damp—and realized with a shock that Aviendha had been switched, and recently. When the Aiel woman gingerly took her own place, beside Egwene, she did so with a face as stony as the ground, but a face that could not hide her flinch.
To call these descriptions 'gratuitous' is, of course, only in comparison to RJ's (incredibly rare) treatments of male nudity (and not in comparison to, say, GRRM).
I was wrong about the film distinction, though I do believe there is an older report somewhere mentioning this that I am missing. However, there is a 'no male nudity' tag for all the times RJ mentioned it at signings; it was a running joke for him.
Re: Parallels between Rand's early arc and being gay...[from The Great Hunt]
"No, I can't. I mean . . . I didn't do it on purpose. It just happened. I don't want to—to channel the Power. I won't ever do it again. I swear it."
"You don't want to," the Amyrlin Seat said. "Well, that's wise of you. And foolish, too. Some can be taught to channel; most cannot. A few, though, have the seed in them at birth. Sooner or later, they wield the One Power whether they want to or not, as surely as roe makes fish. You will continue to channel, boy. You can't help it. And you had better learn to channel, learn to control it, or you will not live long enough to go mad. The One Power kills those who cannot control its flow."
"How am I supposed to learn?" he demanded. Moiraine and Verin just sat there, unruffled, watching him. Like spiders. "How? Moiraine claims she can't teach me anything, and I don't know how to learn, or what. I don't want to, anyway. I want to stop. Can't you understand that? To stop!"—Chapter 8, 'The Dragon Reborn'
That desperation is something I remember. Then this...
He paused, frowning, thinking things through. Finally, he said quietly, "Rand, can you channel?" Mat gave a strangled gasp. Rand let the banner drop; he hesitated only a moment before nodding wearily. "I did not ask for it. I don't want it. But. . . . But I do not think I know how to stop it."
—and finally...
Mat hesitated, looking sideways at Rand. "Look, I know you came along to help me, and I am grateful. I really am. But you just are not the same anymore. You understand that, don't you?" He waited as if he expected an answer. None came. Finally he vanished into the trees, back toward the camp.—Chapter 11, 'Glimmers of the Pattern'
Potent scenes. Especially Mat's last lines. *shrug*
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Jordan said "Yes" then maybe a few more words and only then did I remember to actually put the recorder on again. If I remember correctly Avaeus taped those first few words on his digital camera however, so I'll see if I can add those exact words here.
(transcription) ...it would have to be. Err, in the differences between the same Age in different turnings of the Wheel, are that.. as for an analogy: imagine two tapestries hanging on a wall, and you look at them from the back of the room to the front of the store. And to look at them, they look identical to you. But as you get closer, you begin to see differences. And if you get close enough, they don't look anything at all alike. That is the difference between the Ages. Between the Age in one Turning and the Age in another. So it's quite possible that someone other than Rand could be the reborn soul of the Dragon Reborn. [And that's the phrase that ended my jubilation.]
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As I approached Jordan I heard him telling that he'd already been in the Netherlands for a couple of days, and that after the next weekend he would still stay around for four or five days, sightseeing.
Getting my books signed, I gave him the 400 pages female Dragon debate, telling him that this was the debate he'd just ended (I mentioned how long it had been going on, just after he'd answered the female Dragon question), asking if he could perhaps be willing to take a look at it sometime. He said that he'd do that, but that he didn't know how much time he'd have, since he had to read something that didn't have to do with his own work before going to bed:
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The talk continued in the direction of fan fiction, with Jordan talking about stacks of paper he sometimes received. Sitting there I felt certain the female Dragon debate I'd given him was doomed, but listening to this again now, I have better hopes.
People occasionally send me various compilations of FAQs and things of that sort they've done about the books, or analyses of the books, and I will occasionally read that if I have time, but fan fiction, or other fiction, or 'I've read this book and would you please tell me what you think of it?' or stories, it gets returned to them.
I do not read it, I'm sorry. It's not because I think that anything is going to compete with my works, it's not, but it's because what Terry said, there are bozos out there.
I was accused in an anonymous letter to my publisher, of plagiarizing. That The Dragon Reborn was plagiarized. Now this infuriated me to such an extent that I'm going to incredible efforts to find out who'd written the damned letter. I knew it was a nutcase bozo somewhere, because I knew that every word was ripped out of the inside of my skull. And I'm going to find him, and push him into a corner, and beat him half to death with my walking stick [laughter], because he made me that mad, that he would make this accusation against me. And this was...in an anonymous letter, who is not making any effort, he's not trying to make any money out of it, he just wants to cause trouble.
There are guys out there who I know who said 'you know, I have this great idea' and the great idea they want to share with you is worth about as much as 'let's write a book about pilots' and the worst case is when they see something in the book and say, and they think that they can claim it was stolen from them. So I will not read fan fiction, I will not read anything that somebody sends to me. The only things I read are the books I buy.
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Big Wheel: Our Interview with Robert Jordan (Amazon.com)
Robert Jordan—Citadel graduate, decorated Vietnam veteran, and physicist by education—is only steps away from Tolkien as the most popular fantasy author in history. His bestselling Wheel of Time series tells the story of a world broken into a male-female duality. Women wield the One Power, safeguarding it against the darkness until the male Dragon Reborn appears as foretold by prophecy. Each of the eight (so far) books in the series is a complex, detailed history of a fully realized culture. Enthusiastic readers have filled our pages with their comments, and Web sites around the world extol the virtues of Jordan and his creations. Amazon.com's Therese Littleton spoke with Jordan about his fans, his books, and his inspirations.
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Well, I don't know, it is a combination of things. I gave this recently, so it is probably already on the net. How did I come up with the division of the One Power, the male and female half? I had seen a novel, there are a lot now, but this was the first I had seen like this. Young woman wants to be whatever it was, a magician, whatever, but she can't because she is a woman, and women aren't allowed to do that so she is going to struggle through it.
I thought it was interesting, one of the earlier novels of the feminist struggle, and all that. I put it back, because it didn't seem something I cared to read, but I thought about it because the thought that occurred to me is okay, that's real easy, women aren't allowed to do this, it is historically based or grounded at least, what if it was men who couldn't, now how would that be, as my wife points out to me, we have the upper body strength, and she is convinced all of the inequities in the world vis a vis gender, are subject to the fact that we have all the upper body strength, and I am sorry about that baby, I ain't giving it up. So, how could there be a situation where men were not allowed to do this, and it does not somehow get itself reversed over time, add into this I wanted a near gender equal world as I could, and how could I have a situation where women could maintain gender equality?
Okay, now I split men and women, have different sources of power and the male source of power is tainted. Okay, you've gotta stop men and at the same time, out of this beginning came the division of the One Power, the White Tower existing as the political center of power for three thousand years, false dragon, the destruction of the world by men, false dragons arising periodically to remind humanity exactly why men can't be allowed to channel and why the White Tower must remain the center of political power. A lot of stuff came out of that one notion.
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About your characters, Brandon: Which ones are the most like yourself?
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This has to do with the Luckers’ Shiny Dragon theory. Masema mentions having a vision, someone tells him to kill Perrin. So, my question, was the individual telling him to kill Perrin a male or female?
He saw a male.
Yes, yes he was a male or a female.
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Female Dragon..NO when a female hero is needed she is one of the ones bound to the Wheel. Jordan did mention a name but I didn't hear it. But he did say the Dragon is never female.
Let's try and clear some of this up... I can't remember the exact question, but from what I read in this thread, it doesn't matter (I haven't read the Female Dragon thread). RJ said that, no, it is not possible to have a female Dragon. If the wheel needs a female Dragon, then it would weave in *insert female Dragon name here*. Probably because of the blank faces he was getting he then added, you can find her in the scene where Mat blows the Horn...
He also said that a soul ready to be reborn cannot change gender, therefor the Dragon is ALWAYS male.
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The scene depicts Min, Aviendha, and Elayne gathered on a battlefield around what is presumably a funeral pyre for Rand al’Thor, the Dragon Reborn. What we recognize as a yin/yang appears in the clouds, possibly signifying a unity that has evaded male and female channelers for over 3000 years.
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Not sure why there's still confusion. It's Nynaeve and Moiraine on the back cover. The yellow and blue dresses should make that apparent. Nynaeve's hair is obviously shorter than it used to be.
I spoke to Michael about the cover as he was finishing it. Since he didn't have the opportunity to read all fourteen books for the assignment, I was one of the people he leaned on to fact check his work.
Michael mentioned there are details the readers (like me) wouldn't be privy to yet. For example, Nynaeve takes the bulk of her jewelry off before this scene.
Callandor is a sword that isn't a sword, right? He's not holding it for defense. It's a source of power as well as his source of light (there's a clue about that in the lighting on his face). He's shielding his eyes as he stares in to the pit. Apparently, the deeper he goes into Shayol Ghul, the brighter it shines.
A little background that some might not know... Michael has studied martial arts, including Filipino Kali and Arnis. The forearm slash position actually has some utility in fights with bladed weapons.
Compositionally, the line of the sword is another element that draws you into the intensity of Rand's stare. Further, the opening of the cave is the shape of an eye; the eclipse suggests an iris. It's as if the gaze of the Dark One is falling on Rand. We see his strength and determination in response. How many illustrators can convey that kind of depth in a scene?
Say what you will, but I think Michael brought a lot to the plate on what was a very difficult cover assignment. He put his stamp on Rand while producing a cover that fits well with the first thirteen that DKS painted.
Thanks for confirming that. However, Nynaeve's hair is still the wrong color and, while it's shorter after the Aes Sedai testing in Towers of Midnight, it should still be in a shoulder-length braid. She never gave up her signature braid. That's why many people don't think it looks like Nynaeve—the braid is the main thing that would identify her as Nynaeve to the readers.
The loose light hair makes the woman on the cover look more like Alivia, who many fans believe is the woman in yellow. So I'm still of the opinion that Whelan did not do a good job with Nynaeve if longtime fans don't even recognize her. I think it's a beautiful cover, but as a reader, the main thing I care about is seeing the characters—who we have been reading about for twenty years—done right, not so much whether the cave looks realistic or happens to symbolize the Dark One spying on Rand. So it's disappointing that Nynaeve ended up virtually unrecognizable. She doesn't even wear yellow dresses in the books, despite being Yellow Ajah (she makes a point of wearing green or blue since that's what Lan likes), so that's not something that makes the woman's identity apparent either.
If you don't mind me asking (not trying to be rude here, it just strikes me as a bit strange), why did Whelan rely on fans to check his work instead of Team Jordan? I'm assuming you work for Tor, but you refer to yourself as a reader who hasn't read the book. To what extent were Brandon Sanderson and Team Jordan involved with the creative process behind this cover?
I was just one of the people helping with the details. Obviously Michael had Irene Gallo's art direction and was in contact with editors including Harriet.
Michael's wife Audrey usually serves as his sounding board, but she hadn't read the books. (For the record, I'm not affiliated with TOR. I've worked with Michael since the mid 90s, primarily on his website.) I'm a WoT fan and that's the kind of feedback Michael was looking for... someone he knew who had read the previous thirteen books.
Michael and I did discuss Nynaeve's dress color. I mentioned that she catered to Lan's color preference of green and blue. The yellow of her Ajah usually came in slashes of color, accents if I recall correctly.
Like I said, I haven't read the manuscript for A Memory of Light and Michael couldn't talk about it. But I distinctly recall Nynaeve taking pride in being a true Aes Sedai finally. Going into the Last Battle, I don't think it's a stretch that she would choose yellow. I suppose we'll have to RAFO on that.
In the background information I provided, I described Nynaeve's hair color as darker brown and referenced previous covers (among them the Melanie Delon's cover for A Crown of Swords that drew criticism for being too red).
I'd have to ask him why he chose lighter highlights. Just my speculation here, but Callandor is a light source. There's also illumination from the eclipse filtering in from the mouth of the cave to consider.
Michael got the length of Nynaeve's hair right, and this isn't simply opinion. Hopefully Brandon or Harriet will confirm at some point that her shoulder length hair was too short to braid.
Interestingly, Michael and I spoke about the challenge of pulling character descriptions from the text. If you're familiar with his illustration, he's known as a stickler for details. But it isn't always easy to translate text literally, especially when Jordan and Sanderson contradict in their description.
In correspondence, Michael wrote,
"Major characters are described as diminutive in size, yet 'commanding' in presence. Faces are youthful, yet ageless. Or young but having eyes full of wisdom of the ages. Rand is tall and manly, yet has an almost "feminine" beauty in his eyes or mouth. It's a bit confusing how one is supposed to render such conflicting elements."
Honestly, I don't mind the nitpicking. Criticism comes with the territory. My point in responding is to state that Michael was mindful of details here. There's evidence of it in the painting. I can tell you that he had Moiraine's kesiera and Nynaeve's ki'sain accounted for before I even spoke to him.
On a personal note, I had the privilege of meeting Robert Jordan before a signing on the Knife of Dreams tour. One of the things we talked about was the cover art for the series. I think Mr. Jordan would be pleased with this one. Obviously Harriet was when she said, "that is the Rand I have waited to see for twenty years."
Firstly, thank you very much for the thorough answer. It answered many of my questions, and it was also interesting to hear more about the creative process behind the cover.
[Nynaeve's hair] got singed off "a handspan below her shoulders" (Towers of Midnight ch 20), and she wore a shoulder-length braid in every scene she was in after the Aes Sedai testing. That's why it seemed odd for her signature braid to be missing on the cover. I don't really care about the dress or even much about the hair color, but Nynaeve isn't Nynaeve without her braid—it's part of who she is. It's like Mat showing up without his hat and ashandarei. And the ki'sain is too small to be visible, so it doesn't do anything to make the woman on the cover look more like Nynaeve.
I also wish Nynaeve and Moiraine hadn't been delegated to the background/back cover—since they're going to be linked with him, they deserve to stand at his side. But that's not an error, just something I wish were different.
However, while the cover isn't what I hoped for, I understand and deeply appreciate that you and Whelan both worked incredibly hard on it, and Whelan remains one of my favorite illustrators. I think he did a wonderful job with Rand.
I appreciate the sentiment but Michael did the actual work. He pushed his calendar aside this spring to make the cover happen. I was just support. But I will admit it took a lot of restraint on my part not to inundate him with questions that I knew he couldn't answer, so there is that.
As readers, we all have so much invested in this series that I completely understand what you're saying. I love Brandon's work, but I felt Towers of Midnight was a bit of a letdown, especially the resolution with Moiraine.
Moiraine has always been a favorite of mine. I would have liked to see her on the front cover as well. Thankfully Dan Dos Santos gave us that in his brilliant cover for The Fires of Heaven.
I think MRJackson & Mr. Whelan made a very good point, in that we have not yet read this book. By the time this scene happens, we may see several other events that make sense of the seeming discrepancies. Specifically, there are only two scenes after Nynaeve's testing which mention her braid, and in both cases it is specifically noted that it is too short and she finds it quite annoying. Quite possibly she'll meet up with Lan and find out that he likes it loose, or she'll simply decide that it's too irritating to fuss with a too-short braid, and we'll see her with loose hair in several scenes before this.
Someone was bothered earlier by the missing jewelry—but now we know that she specifically and deliberately removed the jewelry before this scene, probably so that someone else could use them. (That's what happened during the Cleansing; why not here as well?) Seems to me that we should make the assumption that the same kind of thing might happen with The Braid, instead of insisting that she should look like she did in the previous book, and claiming any discrepancies as mistakes. Such claims are not only rude, they are unfounded. Once the book is out and we've read the whole thing, we might have grounds for nitpicking; until then, not so much.
MRJackson—Thank you for your contributions, both to this thread and to Mr. Whelan.
Glad to be of help. Maybe someday we'll find closure in the great braid debate...
Seriously though, Michael painted Nynaeve's hair at that length (without a braid) for a reason. I wasn't trying to sidestep debate. I was expressing certainty. Michael was aware that the braid was an identifying feature of her character. The painting turned out the way it did through a long process that involved editorial input. I'll leave it at that.
I look at it this way (and this is my opinion)... Nynaeve has grown enormously through the books. She was always uniquely powerful, but it took time for her to grow into that power. More so, it took a dozen books to accept herself and decide who she wanted to be.
Nynaeve worked through enormous difficulty to channel reliably. Remember how she used to tug on that braid? It really was a symbol of who she used to be. Kind of fitting that the symbol is gone.
Old habits die hard, of course, but she isn't that girl tugging on her braid any more. She's a woman who fought to gain acceptance as an Aes Sedai, and she's going to stand at Rand side to face the Dark One. It's impressive how far she's come as a character.
The Fires of Heaven ebook cover was definitely one of the best, though there were a few things the artist got wrong (Moiraine does not have blue eyes). The New Spring cover was great too, especially Lan. It's mostly Nynaeve who has suffered bad luck with the ebook covers. There's A Crown of Swords where she got red hair and Lan looked like an underwater zombie, Winter's Heart where she didn't appear at all despite being linked with Rand for the Cleansing, The Path of Daggers where she got a Saldaean nose and Elayne looked suspiciously like Jean Grey...
I think much of my disappointment with the A Memory of Light cover stems from the fact that there's already an earlier cover (Winter's Heart) where Rand claimed the stage and his female linking partner was left out. "Hero poses manfully brandishing some kind of phallic object" is a pretty tired concept, especially on WoT covers. Rand does the same on Sweet's The Dragon Reborn and The Path of Daggers, the ebook covers for The Dragon Reborn, Winter's Heart, Knife of Dreams... Winter's Heart is probably the worst offender, if you look at the placement of the Choedan Kal. ;)
Sweet's A Memory of Light cover was a welcome break from that—I'm not usually a fan of Sweet's covers, but I liked that he gave Elayne, Min, and Aviendha a prominent role and added some emotion to the cover. So I really would have liked to see something different on the final cover, like Rand having the two women from the Callandor circle at his side. Here, Nynaeve and Moiraine are present, but only in the background, and not at all on the ebook cover.
The only female lead who held the cover spotlight on par with the men was Moiraine, and that is a shame.
There was definitely opportunity to feature Nynaeve linked with Rand on Winter's Heart. Despite the hair, I liked Nynaeve on the cover of A Crown of Swords. Lan not so much. The Path of Daggers was another miss, mostly because the colors were a distraction. I thought I was looking at an X-Men cover. Even if that was intentional, it didn't work for me.
I can only assume Rand was intended to stand at center stage alone on the last cover, but I think what you suggest would have been great too. Moiraine and Nynaeve definitely earned their place at Rand's side on the front.
That was a beautiful description of why Nynaeve is one of the most compelling characters in the series. She and Moiraine kept me invested during some dark years of almost giving up on WOT. I always hoped they would be the other Callandor channelers, as I could not imagine Rand putting himself in such a vulnerable position with anyone else. Aviendha, Min and Elayne included, though I do love Aviendha! So thank you for shedding light on why some things are portrayed as they are on this excellent new cover. Just don't think that it will put a dent in the debate. ;)
Thanks. I feel much the same way about those characters, and I'm sure the debate will keep going on well after the publication of A Memory of Light.
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For Rachel, the phoenix is the female symbol of power in Chinese cosmology as the dragon is of male power, so a phoenix wouldn't do for me. Although there is a phoenix among the symbols carved into my Chinese chair, which you may have seen in Faces of Fantasy and elsewhere.
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I know what it's like to be in the middle of a battle and I know what it's like to have somebody try and kill you... I can put that in. There's a balance between the moments when you can look back and say that was a magnificent thing and when you say, 'What the hell is going on here?' In the aftermath you're so relieved you're still alive that you can walk among the dead laughing, and people who haven't been there will say that's insanity. It's not; it's the sort of thing that happens...
Which presumably makes it easier to understand characters' motivations in combat?
I try to get into their heads. Sometimes it's difficult—it's hard for me to imagine being a five-foot three female, but I work at it and think I've done a fairly effective job. When I was touring for The Dragon Reborn a group of women told me I'd settled an argument they'd been having about whether Robert Jordan was a pen name for a woman!
But I can get into anyone's head—I'll walk out of my study and my wife will say, 'Been into someone nasty today, haven't you?'
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We blame people like these, that came up with this, but I do want to—and thank you for your question—I do want to hand...(to Matt) You had a correction on something we said earlier? Do you have it? Okay, Matt's going to correct us from what we were unable to answer, because Robert Jordan apparently gave an answer.
So, there was a question about the Dragon soul, and whether that was a title or not—was that your question?—so, he did answer. Someone asked him, because it had to do with...the entirety of the question was, you know, can it change? Could it be a woman, could it be a female? Would it be the same person in a new Turning? And his point, his answer was, it could not be female—that the soul would remain the same gender—and he also said that it would not necessarily be Rand in the next Turning. So in other words, it would still be that same soul, but it would not be—necessarily—the Rand story, the next time around. It might be...whatever. And he talked about it just because, looking at the Pattern as things change in Turnings, little things are going to change, or I guess in this case, maybe it's something bigger. So, I don't know if that answers your question, but that is answered again.
The question was really more about Lews Therin as the original Dragon, or as the original Dragon that we know about, and was he born to be the Dragon, or is that something that he kind of grew into?
It's the soul, the soul is the Dragon.
Okay, so he was born to it.
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There's a couple of things behind that. The first is that my mother graduated first in her class in Accounting in a year where she was the only woman in the entire Accounting department—that was in an era where that wasn't something that a lot of women did—and so I've had quite the role model in my life. But beyond that, it's kind of an interesting story. I discovered fantasy with a book I mentioned earlier, Dragonsbane. Wheel of Time was my [?], but I discovered Dragonsbane by Barbara Hambly, and my teacher got me to read this, and I came back to my teacher, and said, "People write books about dragons?" She's like, "Yeah, there's a lot of books about dragons; go read them."
And so I went to the card catalogue, which we had back then in the Stone Age [laughter], and I flipped to the next title in the card catalogue, and it was Dragonflight by Anne McCaffery. And so I'm like, "Well, this has dragons; maybe this is good." And it was fantastic! If you've ever read Dragonflight, it's amazing! So I read through all of those in the school library, and I'm like, "Well, what else is there?" The next title in line was Dragon Prince by Melanie Rawn, and so I read through all of those, which are also fantastic books, and one of the best magic systems in fantasy, in Melanie Rawn's Sunrunner books.
And so I got done with those, and at that point, a friend came to me, who'd heard I discovered fantasy, and said, "Here, you'll like this book." It was by David Eddings. And I told him, "I don't think guys can write fantasy." [laughter] That was—honest to goodness—that's what I told him. I'm like, "I don't know if I want to read a guy writer; I don't think they can get it down." And so, I did end up reading Eddings, and enjoying Eddings, but my introduction to fantasy was through three women who have at times been called feminist writers—all three of them have worn that mantle—and that's still with me as part of what makes a good fantasy book, and I think that's just an influence.
My very first novel that I tried, which was not Elantris—White Sand—the female character turned out really bland, and I was really disappointed in myself, and I thought, "This is terrible." And it took me a long time to figure out—like, several books of work—what I was doing wrong. And what I was doing wrong—and I find this in a lot of new writers across the spectrum—is I was writing people—specifically "the Other"; people who are different from myself—I was putting them in their role, rather than making them a character, right? And this is an easy thing to do—like, you get into the head of your main character; they're often pretty much like you; you can write them; they're full of life; they've got lots of passions—and then, the woman is like the love interest, and the minority is the sidekick, right? Because that's....you know, how do you do that? And you stick these people in these roles, and then they only kind of march through their roles, and so while it's not insulting, the characters don't feel alive. It's like one person in a room full of cardboard cut-outs, like "Stereotypes Monthly" magazine. [laughter] And then your main character.
And women are just as bad at doing this as men, just doing the men in that way. And so it's just something, as a writer, you need to practice, is saying, "What would this character be doing if the plot hadn't gotten in their way?" Remember, they think they're the most important character in the story. They're the hero of their own story. What are their passions and desires aside from the plot? And how is this going to make them a real person? And you start asking yourselves questions like that, and suddenly the characters start to come alive, and start to not "fill the role." And you ask yourself, "Why can't they be in the role they're in?" And that makes a better character, always, than "Why should they be?"
Flop roles, too, if you find yourself falling into this, you say, "Okay, I've stuck—" You know, Robert Jordan kind of did this. The natural thing to do is to put the wise old man into the mentor—you know, the Obi Wan Kenobi, the Gandalf—role, and instead, Robert Jordan put a woman in that role, with Moiraine, and took the wise old man and made him a juggler. [laughter] And these two...you know, and suddenly by forcing these both into different roles, you've got...they're much more interesting characters. And you know, Thom is named after Merlin; he could have very easily been in that role, and instead he wasn't. And so, it made even the first Wheel of Time book so much better by making characters not be the standard stereotypical roles that you would expect for them to be in. So, there you go.
Also, stay away from tokenism. If you force yourself to put two people in from the same culture in your book, that will force you to make them more realistic as characters, because if you only put one in, you can be like, "Alright, their whole race and culture is defined by this person." And putting in multiples can help you to say, "Look, now they can't both just be defined by that." Anyway, I went off on a long diatribe about that; I'm sorry.
20
Hey Bookit,
I am looking for some fantasy novel recommendations for the new year. Here's some of the ones I've read so far:
LOTR Trilogy (of course)
Wheel of Time Series — Robert Jordan
Sword of Truth Series — Terry Goodkind
Quarters Novels 1 & 2 — Tanya Huff
Mirror of Her Dreams/A Man Rides Through — Stephen Donaldson (I also started the Thomas Covenant series, but I didn't like them as much as these ones.)
Assassin's Apprentice — Robin Hobb
Earthsea Trilogy — Ursula K. LeGuin
Kushiel's Scion — Jaqueline Carey
The Mists of Avalon — Marion Zimmer Bradley
Lots of Mercedes Lackey/Anne McCaffrey
Eyes of the Dragon/Dark Tower Series — Stephen King
Game of Thrones — George R.R. Martin (Not my favorite book. It was well-written, but I didn't really get into it.)
In general, I like novels with strong female characters, magical storylines, and maybe a bit of romance/sexual tension thrown in (I'm a girl, I can't help it. :D) I don't like fantasy novels that revolve around wars or political intrigue as much; I tend to get bored with them quickly.
Thanks for your recommendations!
Mistborn should be right up your alley. Female protagonist, innovative magic system. That would be my number one pick for you. If you like the Mistborn saga, I'd also suggest trying out Sanderson's newest series, The Way of Kings, I really enjoyed it.
Name of the Wind is a great book, don't miss out on that one.
The Lies of Locke Lamore is a bit outside of what you might be looking for (more Ocean's Eleven less LotR), but I'd suggest taking a look.
The problem with my books is that she seems to want less political intrigue/wars and more sword and sorcery/adventure. I tend to do quite a bit of the first.
Name of the Wind is a very good suggestion here.
Okay...less warfare/political intrigue. Female protagonists, high magic, some romance if possible. Didn't like GRRM as much, liked some YA novels...
1) Sabriel, Garth Nix. Not much on the romance, but hits the other points solidly.
2) Dig into some Barbara Hambly books. Many of them are from the same era of fantasy as Lackey/McCaffrey/MZB at their height, and will have a similar feel. Dragonsbane is my go-to suggestion for Hambly.
3) Dragon Prince, by Melanie Rawn, hits all of your points solidly except has a stronger political intrigue plot than you might like. Great romance in the novel, however.
4) Also, if you've never read the Blue Sword...well, this book has a good chance of being exactly what you're looking for. Really. Go for it. Note that it would probably be packaged as YA if it were released today.
5) Howl's moving castle. Great book, has everything you want. I'd give this one a high probability of being a hit.
Honorable mentions to consider: Michelle West, Sherwood Smith, His Dark Materials. If you like stylized prose: Patricia Mckillip. If you want to get your Emo on: C.S. Friedman's Coldfire Trilogy. If you want to laugh, Wee Free Men. (But really, go read the Blue Sword.)
--Brandon Sanderson
21
Hello, fellow Seventeenth Sharders. As promised, I have taken copious notes at Brandon’s Thursday, 1/10/13 signing at Books & Co in Dayton, OH.
The signing began at 7:00 PM, so I thought I’d be clever by showing up early, driving over right after I got off duty and arriving at about 4:30 PM. I figured I’d be first in line; boy, was I wrong. There were a good 26 people ahead of me, with more arriving all the time. By the time the Memory Keepers and store employees finished giving out line tickets, there were over 300 people there to meet Brandon and Harriet. Of course, that did make me feel a little better about being only #27…
The actual signing proceeded a little differently than it had the last time I had met Brandon (at his signing in Lexington following the release of Alloy of Law). We all went up in order for a first pass, allowing Brandon and Harriet to simply sign our books. Afterwards, anyone who wanted further personalization was welcome to stay and go up a second time, after Harriet had retired for the evening. Considering how many people left after the first go around, it seems that that was a pretty good idea. It made things run very smoothly. They also took all parents who had small children with them first, so that they could get home with their little ones. This was a nice move, I thought, and to their credit there was not a single complaint from among the 300+ gathered fans about having to wait for these parents (well, not that I could hear, anyway). I had no idea we WoT fans were, as a group, such a considerate bunch, especially after seeing some internet shouting matches over the years about who Demandred was, or who killed Asmodean, or whether there could be a female Dragon.
Anyway, Brandon and Harriet began with a Q&A session. I did not have a tape recorder with me, unfortunately, and I was far too overawed to be in Brandon and Harriet’s presence to think of using my smartphone for the task, so I took notes. I’m also not a professional stenographer, and don’t know shorthand. So, unless something is in quotations marks, all of these are simple reports of the gist of the question and answer, or paraphrases. Some mild spoilers for A Memory of Light and, in one case, Way of Kings follow.