Search the most comprehensive database of interviews and book signings from Robert Jordan, Brandon Sanderson and the rest of Team Jordan.
2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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The Dabel brothers (the producers of the Wheel of Time: New Spring comic book) were on-hand to get some issues of New Spring signed for the Tor internet hunt and to get Jordan's approval on some sketches for some computer wallpaper they are producing.
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Yeah, I just picked up a couple of them myself. They look gorgeous.
Yeah, they did look really good. Is it more of a Harriet thing? I know we're also talking about the movie itself. Are you involved in that, have they been coming to you and asking you your opinion on things, or is that more of a Harriet...
That's been mostly Maria. Maria's been handling that. Maria is the continuity expert on staff. And so she's been handling that. I suspect they will come to me when they reach these books more. But I've been so busy, that really it's been her and Jason from Dragonmount that have been consulting on those. And I've just not wanted to stick my nose into it because I've got so much on my plate already with these books. So that's mostly Maria. So if you want to ask about those, interview Maria.
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My job has constantly evolved. First there was fanmail and filing. Then the audiobook project got underway, and someone had to go through and mark all of the changes in point of view so that Michael Kramer could read the male POVs and Kate Reading could read the female ones. Jim decided that I could do that, so, much to my delight, I was getting paid to read The Wheel of Time. I was in hog heaven, of course. At that time, Jim was finishing up A Crown of Swords, and when the proofs came in, Harriet suggested that I assist in going through them, but Jim said no, he didn't want to spoil me. I was crushed. Over the next year or so, though, my job broadened. He gave me the in-house glossary to tidy up, and some of his notes to consolidate. He also would give me lists of questions like "Has character A ever met Character B?" and "Give me three examples of character C's speech" and "Find me all of the information you can on what a baby feels as he's being born." By the time he had The Path of Daggers ready to give to Harriet for editing, I had convinced him that I could help with maintaining our house glossary going forward, and he decided that I would get the pages at the same time Harriet did. Harriet encouraged me to edit as well, and I would do that and pass the pages on to her. I don't know if any of my edits made it into the final book, but Harriet did begin recommending me for freelance editing.
I did other things as well. Jim had a massive personal library, and mentioned that he would love for it to be cataloged; I cobbled together a classification system, using WordPerfect mail merge. I also cataloged his music collection, and kept the existing catalog of movies updated. I did shopping for him, arranged appointments, worked on the Wizards of the Coast RPG and the New Spring comics. When the new cat went missing, I made and put up posters in the neighborhood (we found her hiding under the house, eventually); when cranes and herons started stealing goldfish, I was given fox urine to spread around the pond to discourage them (Jim did encourage me to delegate; I managed to pass that one on to someone else. It smelled so bad that that idea was soon abandoned and we covered the fish pond with a net. I still sometimes find huge birds staring hungrily at the fish when I walk out there). Eventually I took over the bookkeeping as well. He took to calling me his right arm. Over time, I picked up assistants, two of whom are still with me: Marcia Warnock, who took over the book catalog, spread the fox urine, keeps me in office supplies, handles all the annoying phone calls, and keeps me on schedule; and Alan Romanczuk, who took over the questions and research, became our IT specialist, and assists with the bookkeeping, among many other things.
Then, after the Knife of Dreams tour, Jim was diagnosed with amyloidosis. Our focus changed somewhat; we all worked to help him and Harriet as much as we could. After the night that Jim told the ending to Wilson and Harriet, I would sit and talk with him about the end of the series, with a tape recorder running. The last thing that we did together was select the winners of the calendar art contest. Note: I didn't select, I just gave him the art and took notes, and then emailed the winning names to Tor. That was two days before his death.
The significant thing that has changed about my job since then is that Jim isn't here. It's quieter—there is no big, booming voice calling "Maria!" or singing as he comes in the office. There's no one explaining military stuff to me and making it really clear and interesting. There's no one sitting at his desk wearing a silly hat. What I do at my job hasn't changed that much. Now I work directly for Harriet, who is as wonderful a boss as Jim was. When Brandon has questions about the books, I work on finding answers, as does Alan. When Brandon sends us a book, I go through it looking for continuity errors, just as I did with Jim, and suggesting other changes, just as before. I still do the bookkeeping with Alan's help, and other banal stuff. I know a lot more fans now, of course; I went to JordanCon, DragonCon, and the Charleston and New York booksignings for The Gathering Storm. I can hardly wait until JordanCon 2, which as I type is 11 weeks and 1 day away.
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Actually, we are getting close to the end of The Eye of the World, and it's going well. We haven't talked at all about The Great Hunt, but I'm hoping that we'll start. We've got one more script to go for The Eye of the World, and then hopefully we will be moving on, and the next graphic novel will be out in the fall, part two of The Eye of the World, and it's a lot of fun doing that, and I hope you'll all check it out.
It's put us in awe, also, of the amount of work that goes into creating a graphic novel. A great deal on our part, looking stuff over for approval, but what's happening in the graphic shop, and it's not unusual at all to get emails at 10pm Friday night, or midnight Saturday night, you know, "Here's the latest stuff from us." You know, when do you guys sleep? Any of you who are graphic artists out there, I guess you know what it's like. It's total geekdom. You don't think about eating, sleeping...you just do it. And the amount of change that has to go on in every single panel is pretty awesome.
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Couple of the questions asked that I can remember:
I asked about the graphic novels, because I wasn't sure how far that project was going to go/how well-received it was for Harriet, but she seemed pleased enough with them. She said that there was a good team of people working on them and that they were working closely with Maria and Team Jordan.
(Brandon took a moment to point out that the bookstore also carried the graphic novels, and someone at the back found one on a shelf and held it up for demonstration.)
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Will you be continuing the comic books?
Yes!
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Well, it's in work, and mostly Maria Simons has been working with the Dabel Brothers, who have been a joy to work with editorially. There have been some problems about the schedule, but their devotion to the work is really just what we want to see.
They're famously wonderful artists, and not so good on the business front.
And I've seen a French edition of a piece of The Eye of the World, and to see Mat talking French, and saying, "Ah, zut alors!"
Hey, that's a nice thing. Way in the back there, they have some of the graphic novels for sale!
What a coincidence!
Yeah, what a coincidence. Ooh, someone's holding them right back there, the thing back there; you can go get some of the graphic novels, you can go through those....
Yeah, and there's one in the front here.
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