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2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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There are definitely time constraints on the Dark One's power to transmigrate a soul. The soul doesn't have to be secured immediately—that is, the Dark One doesn't have to be ready to snatch the soul at the instant of death—but the longer that passes after the death, the less chance that the Dark One will be able to secure the soul. Someone who has been killed with balefire in actuality died before the apparent time of his or her death, and thus the window of opportunity for the Dark One to secure that soul for transmigration is gone before the Dark One can know that the soul must be secured unless the amount of balefire used is very small. Remember that the more balefire is used, the further back the target's thread is burned out of the Pattern.
After the soul is secured, then a suitable body must be acquired and stripped of the (former) owner's memory and soul to make way for the favored one. By the way, what constitutes a suitable body from the Dark One's perspective is not that of the recipient. Certainly Aginor would never have chosen to be reincarnated in his, shall we say, less than imposing body, nor would the womanizing Balthamel have chosen to be reincarnated as a beautiful woman. It was only chance that Moridin ended up in a body that is young, fairly good looking and physically imposing. Those things simply don't matter to the Dark One. But the body has to be basically healthy and sound, and neither too young nor too old. After all, the Dark One wants his servants to be effective, and a body that meets those basic requirements is more desirable than one that doesn't. Since there is no stockpile of such bodies, the only way for someone to die and immediately be reincarnated would be a matter of pure chance. That is, the death occurred when a suitable body was on hand for some other reason.
There are a few other limits and constraints, but I won't go into them here, since I may want to use them in the books, and I would rather they come as a surprise if I do.
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The Dark One doesn't care about his minions sufficiently to invest much time in their punishment except as it serves to correct their behavior or as object lesson to others, nor is there much in the way of gradation. Simple failure and outright betrayal might be punished equally, or one might result in death and the other in becoming an object lesson or in something else. (The mindtrap, by the way, could be called an object lesson only to the one so trapped; remember, none of the Forsaken know who is mindtrapped except Moridin and those who are trapped.) The decision, death or object lesson or something else, normally would be simply a matter of whether or not he believed there was any point to an object lesson and/or whether or not he felt there was really any further use in the individual. Or, for that matter, made for reasons unknowable to a human mind. Remember, the Dark One is NOT human and thinking of him in human terms just doesn't work.
But he also operates under a constraint that did not exist in the Age of Legends. At that time, about 3% of the population could learn to channel to some extent, though not all chose to—the training program took time, and being able to channel carried with it certain obligations that not everyone wanted to undertake—but that still meant there were, at a minimum, hundreds of thousands of people in the world who could channel, and more likely millions. A large pool of possible recruits. Break a tool or decide it isn't working right and throw it out, because there is an endless supply of similar tools waiting on the shelf. That might be said to have been his attitude. In the here-and-now of the books, that figure is about 1%, and of that 1%, very, very few have any idea that they could learn to channel, much less have any training at all. Here-and-now, the pool of possible recruits is tiny.
Also, while the Forsaken themselves have realized that these primitives have discovered how to do things with the Power that they themselves cannot, or perhaps can once they learn how but never dreamed of doing until they found that the weaves existed here-and-now, they still think of people in the here-and-now as primitives, and their attitudes filter through to the Dark One, who believes that his people from the age of Legends are in all practical ways better—for which read better trained, more capable, and thus better able to serve him efficiently and effectively—than the people of the present time. And he is right. In a way. They are certainly better trained, with a much wider knowledge, at least in some areas. Some of their skills are absolutely useless in the society they are forced to live in. Aginor was a genius in biology and genetics, but in this world, he had no way to make the tools to make the tools to make the tools.... Well, you get the idea. Pity the poor chip designer dropped into the seventeenth century.
In any event, the Dark One tries to conserve his resources, using and reusing those he might have killed himself, or ordered killed, in a time where there were thousands to equal them.
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What the hell is up with balefire (in regards to Nynaeve and the boat)?
The main issue with this was whether or not balefire burned inanimate objects back through time in addition to living creatures.
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Question: 'What happens when balefire hits balefire?'
(with a chuckle)You don't want to know!
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Also for Mr Mashadar, I think, my favorite fantasy novel is The Lord of the Rings, hands down. The largest effect that it had on my writing was a desire to be the flip side of the coin, to take the comfortable old tropes and put a different spin on them. Also, the creation of paradox is one source of balefire's danger. Remember that in the War of the Shadow, even the forces of the Shadow gave up using it because of the fear that reality itself might unravel.
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M.A.F.O—Maria and Find Out. What he did leave, he left a lot of stuff, there is discussion of these things in the notes. I need to look and see if there is an actual equation. He was very focused on strength of the Power and things like that. He has probably told you before, I think I’ve seen a copy of that on notes and things. He did leave scales on exactly how powerful each person is...
RAFO. Sorry, but we are doing an encyclopedia, and I have to reserve some things in case we want to put them in there.
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From Knife of Dreams Chapter 21, "Within the Stone":
The face of the man from Shadar Logoth floated in his head for a moment. He looked furious. And near to sicking up.
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After the signing, Harriet retired to the hotel, and the Storm Leaders went with Brandon to Cantina Laredo (Thanks Tor!). We talked a lot about balefire philosophy, and Brandon said he always wanted to know what would happen if you 'shot yourself in the foot' with balefire.
He also spoke about some of his ideas for other books. One that he plans to write after the Wheel of Time is finished is about a world where super powers are transferred by disease and terrorists use penicillin as a weapon.
We also talked about a lot of topics that would be spoilers for The Gathering Storm, so you can find them on Dragonmount's spoiler forum under 'signing questions & answers'. Below, I've included the Q&A that happened at the bookstore:
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Yes, but I'm not going to tell you what.
This led to a fair amount of discussion about balefire and such. At one point, Brandon said 'all Forsaken other than Sammael who haven't come back were balefired'.
I immediately jumped on this and asked if that included Asmodean—Brandon said that he wasn't talking about Asmodean (we all didn't even want to go there), but this is further evidence of Brandon slipping hints that Asmodean was balefired.
This led to a small debate about Osan'gar—I didn't think he was balefired, everyone else at the table thought he was.
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It was also mentioned that balefire does not mean that someone can't be reborn into the Pattern.
I was very surprised by this and hadn't heard it before, but apparently Brandon has said it in previous Q&As.
Brandon said he was also surprised but that Maria was very insistent about this—so if the Dragon Reborn was balefired, he could still be reborn.
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It's very difficult (but not impossible) to channel the True Power without the Dark One's direct permission.
This led to lots of discussion about the whole Semirhage death scene. Basically, she felt betrayed by the Dark One, and Brandon says she's a very astute person. Brandon also said that Moridin and the Dark One are on the same page with most things, and that Moridin is the most trustworthy Forsaken for the Dark One.
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So, from what I've heard, Rand won the Suvudu cage match.
This leaves me with mixed feelings. On one hand, I am pleased and proud. On the other hand, George R. R. Martin's write-up of how he thought things would go was simply epic. In his version, the fight went as it should have in many ways, particularly near the end. Rand and Jamie, sword to sword, man to man. A win without a kill, respect given on both sides.
Robert Jordan is smiling somewhere, Mr. Martin.
If we take an infinite multiverse view of things (as is suggested in the Wheel of Time world) then what Mr. Martin wrote did indeed happen. And it didn't. And everything in between happened as well.
However, in the version imagined by Brandon Sanderson, here's how the fight goes down.
Mr. Martin's narrative is more or less dead on until the end. Rand and Jamie struggle and fight, and it comes down to man against man. However, neither man can gain advantage over the other.
Then something flickers in Rand's vision. Perhaps it's a trick of the light. Perhaps it's an assassin's bolt, dipped in the poison of an asp and fired toward Rand in a moment of weakness. Perhaps it's Rand's madness asserting itself. Regardless of the cause, he thinks he's being attacked by someone other than Jamie and his allies. Treachery, a violation of the trial of seven.
It may be real. It may not be.
Rand, in desperation, somehow forms weaves of Power. Reckless weaves, fueled by anger, perhaps delusion (or perhaps when the One Power pool surrounding King's Landing was used up, some started trickling in from surrounding areas through One Power drainage ditches and has just come close enough for Rand to tap). He creates a gateway through which to escape, but also lets loose a brilliant bolt of balefire, firing it at shadows moving on the other side of that gateway.
A column of liquid light springs forth, passes through the gateway, and hits Suvudu itself.
Now, it's hard to say what effect this should have. Balefire, for those unaware, has the power to burn threads from the pattern and rework time itself. Kill someone with balefire, and things they did prior to being killed will be reversed.
Perhaps this should mean that the battle never happened. Perhaps it should wipe the entire experience from our minds. But balefire is an odd thing, as is a contest such as this one. And so, Rand's actions remove the previous fights from existence, but don't change what is happening between him and Jamie.
Through accident, Rand's balefire brings back each and every fighter who participated in this tournament. Everyone appears on the battlefield at once.
Rand and Jamie stare in wonder at the chaos that follows.
Aragorn, Garet, and Hiro have a conversation about who is really the greatest swordsman in the world. It involves much stabbing, some pizza, and very little coding.
Kahlan exclaims that she was never part of a "fantasy" novel in the first place, and so disappears in a puff of hypocrisy.
Arthur Dent says, "Oh no, not again."
Dumbledore tries to send Lyra on a quest to find some random magical object that is going to save the world, really, and is terribly important. So important that he can't go himself. Honestly.
Roland ponders for twenty-two years before telling you what he does.
Harry Dresden decides this is really all too much work, and wanders off to get himself something to drink. He gets beaten up seventeen times on his way, but saves two orphanages.
Ender writes a poem about the Shrike, entitled "It Might Be a Demonic, Sadistic, Terrible Monster Made of Blades, Thorns, and Terror—but It's Really Just Misunderstood."
Kvothe flies in, riding Temeraire, Hermione at his side, and—(I've written the second two thirds of this sentence, but I'm not giving them to you yet.)
The Wee Free Men start chatting about this interesting fellow they met WHO SPEAKS IN ALL CAPS and wonders if this is all going to create a great big paradoxical mess he will have to fix.
Edward broods.
Ged, Vlad, and Conan give Eragon a wedgie.
Polgara throws something breakable at somebody, then goes to find Belgarath, who is most likely drinking with Mat, Tyrion, and Harry at this point.
Haplo and Raistlin get into an argument about how to pronounce Drizzt's name.
Elric tries to decide just who among these people he likes the most, so that he can be forced to feed them to Stormbringer at a terribly dramatic moment, causing much personal angst.
Anita takes out Edward for good measure.
Gandalf and Aslan eye everyone mysteriously, then have a discussion over tea about whose resurrection was more meaningful.
Locke steals Gandalf's staff and sells it on eBay as an authentic prop from the film trilogy. He then does the same thing with Hermione's wand.
And at that point, the great Cthulhu himself awakens, and his terrible, alien nature drives everyone irrevocably insane.
Rand wins by default, since he was already insane, and Cthulhu showing up doesn't really change him at all.
Ladies and gentlemen, we just got Cthulhu'd.
Best,
Brandon
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Brandon said that when he arrived at Harriet's and asked to see the ending and got the pile of Robert Jordan's notes including the ending, on top of that pile was a message from a fan in the form of a dialogue between a Sherlock Holmes character and a Watson character with a note from RJ saying "this is right". Emily asked if it was from Matt Hatch and Brandon didn't think it was. He said that he can probably give send me that message so we know exactly what RJ said "this is right" to.
Maria told me that she is the one who found the Sherlock Holmes thing and gave it to Brandon. Matt Hatch was one of the most anti-Graendal Asmodean-obsessed folk out there, so Emily's comment is funny (though I'm sure Matt is flattered that she thought of him).
This is apparently all of the information that is available from RJ himself about the actual method of Asmodean's murder. In Brandon's vision of the story, he imagines Graendal killed Asmodean (did the deed herself) with balefire, but apparently this is not in the notes. So its possible that it could have been done by another kind of weave and we are free to speculate on that.
I then asked about the RJ quote where he said that the place and the method of Asmodean's killer both mean that he couldn't come back.
Brandon said this was also a RAFO as he couldn't tell us why the place was important at this point without giving something away. He seemed to know something about this reason (there is probably information about why someone killed in the place Asmodean was couldn't be brought back by the Dark One). I asked if whether "where" referred to the city of Caemlyn or something else and this was also a RAFO.
He also said that RJ's answer to WSB "The Dark One couldn't bring back Asmodean because of the combination of two factors: HOW HE DIED and WHERE HE DIED. Not one or the other, both factors." might be interpreted as both factors (each alone) would have prevented the DO from bringing Asmodean back (and not just one or just the other) OR both factors (each alone) were not sufficient to prevent the Dark One from bringing Asmodean back and the combination of both was required. It seemed to me like his vision of it was more the first answer than the second (both factors each alone would have prevented it).
I am guessing that we will learn about that in either A Memory of Light or the encyclopedia, but probably A Memory of Light. My personal theory is that there is perhaps some kind of magic tied to the city of Caemlyn that makes the Dark One's power be lessened within that city itself and perhaps he cannot bring back anyone killed there. This is perhaps also a reason that he wants to make a strike at the city of Caemlyn with all of the Trollocs very soon.
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Robert Jordan's magic system is both hard and soft. It's similar to, for instance, the Harry Potter magic system, which I personally think is quite well done. Of course, I do think Jordan's system is overall more consistent and a much better magic system. This is partially because of the strength of its limitations; for instance, that male channelers go mad, and the chance of burning yourself out with channeling, make it for a much more interesting magic system narratively. The "going mad" thing is basically the best limitation that I've ever heard of in a book series.
People like Tolkien, for instance, didn't explain a lot of the magic, and so what the magic could and couldn't do leaves you with a lot of that sense of wonder, so there's something to be gained on that side from not explaining. Jordan, I would say, is about on the seventy-five percent mark toward a more hard, rigid magic system, and it actually tends to work really well, but you'll notice that he liked to introduce new elements to the magic quite haphazardly—you know, suddenly someone is able to do this. It happens actually pretty frequently in the series as new things are being rediscovered.
Balefire, for example, is manifested quite spontaneously by the characters to solve little problems, and then it becomes a tool to solve bigger problems later on. Just like in a lot of storytelling, in the first third of the story, you will often have a dynamic rescue by a character the reader or audience didn't know existed, and this is not a terribly satisfying resolution, but that's okay because in the first third of a story, you're not looking for satisfying resolutions, you're looking for satisfying introductions. That's kind of what the nature of storytelling is. So when the new character rides on screen and saves the heroes in the beginning of a story, and it's the old friend of the hero who they didn't know was in town, it becomes a very nice introduction for that character; we like that character, we're interested in him, and it can work very well.
In the same way, a character manifesting a power in the beginning of the story that kind of comes out of nowhere to solve a minor problem, is a satisfying introduction, but not a satisfying resolution. And then later on when a major character gets brought back to life by balefire, because it's used in a way that the audience could anticipate, suddenly we have a very satisfying resolution of a conflict, using a magic that we're familiar with.
It's the difference between Han Solo saving Luke by getting him off Tattooine by just kind of haphazardly being there in the right place at the right time, and then Solo coming back at the end of the movie to save him. In the first case, he just kind of drops into [Luke's and Obi Wan's] laps, but that's okay because we're introducing him. And then he comes back at the end to save them after great foreshadowing of all the changing he's done as a character, and we love it.
Yeah. One of the big complaints about fantasy as a genre is that "oh, that's the genre where just anything can happen, and so there's no tension." People complain that it doesn't matter what the characters do because they can always be saved by some magical whatnot. And that's actually a very poor way of looking at it, because if you think about it, regardless of what kind of fiction you're writing, you can always save your characters with a handwave.
Even if you're writing in "the real world," a character can win the lottery, and suddenly all their poverty problems are taken care of, or someone can suddenly dramatically change their mind and fall in love with the heroine when they weren't expecting to. Whatever it is, you can always just handwave to fix a problem. It's not a thing that can be relegated only to fantasy. The challenge in fiction is to make all of these things feel satisfying, even though in some ways they are a wave of the hand. And that's how I look at magic systems.
Exactly. And all of the laws I've come up with, which really aren't laws—they're quite arrogantly named, I realize—have more to do with just good storytelling than they have to do with magic, but I framed them in terms of magic because people always ask me how I invent these magic systems. Well, I do that by trying to make them good storytelling devices.
Sanderson's Second Law is that limitations are more interesting than powers. And this extends more deeply than in just magic, but if you look at magic, what magic can't do is going to be more interesting to your readers, and more useful to you as a writer, than what the magic can do. This is why channeling [in the Wheel of Time] tends to be such a great magic system, because the limitations are very well-executed; it's the part of the magic that shines the most.
But this is ultimately all a plot issue, because what a character can't achieve, whatever is holding them back, is generally more interesting than what they can achieve. This is just kind of a general storytelling principle across the board.
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I'm sorry. I did what I did because I love you. ;)
Will you do another signing tour thing this fall/winter?
I WILL be doing a signing for Towers of Midnight in November. Right now, it's looking like New York, Texas, Charleston, Salt Lake, and maybe one or two other dates. And maybe Paris. (A con over there has invited me.)
Semirhage asked the same thing I was hoping to ask, though I'll be more specific. Brandon, I'm not sure how much control you have over all the locations you do signings, but I'm interested to know if you'll be stopping off at Vroman's in Pasadena again this year for Towers of Midnight.
I probably will. But I love Mysterious Galaxy in San Diego so much that if I only have one day for touring in SoCal, I usually end up there. If I have a second day, it will be Vroman's. Maybe next year. Probably not for Towers of Midnight. (Sorry!)
Oh lord. I'm going to have to drive from CA all the way to Salt Lake City huh?
Well, if you want numbered copies...yes. But I WILL be in San Diego and San Francisco for the tour in September.
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In the books, Mat says that he's "Pretty Sure" that he'd already died. So use that as a guide.
A better guide might be the two Balticon reports, both of which claim RJ said the Caemlyn death fulfilled the prophecy. RJ also confirmed that Mat was only 'almost' dead in Rhuidean to Tim Kington in 2003, and in 1999 in Sydney he noted that Mat hopes the prophecy was fulfilled in Rhuidean (because he doesn't remember dying in Caemlyn).
Wasn't that fulfilled when he was hung from Avendesora?
That's what I'm wondering, whether that was it or not.
But I thought Mat DIDN'T die when he got hung, just came really close ...
Mat died and then Rand used balefire and turned back time.
Right *facepalm* I don't know how I forgot that.
If he had actually died when he was hung, Rand wouldn't have been able to bring him back. (i.e.: crazy puppet girl in the Stone)
Re: Another Mat being hung confirmation. Like I said, Mat's pretty sure that counted for him dying. He really doesn't want to try anything like that again...
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Next was a question about balefire.
If person A balefires person B, then person C balefires person A, what happens?
Depends on how strong the balefire was....
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No, that is correct. Rand caused the bruises, so balefiring Semirhage would not make them go away. Balefire only removes paradoxes caused by the direct actions of the one who is balefired. And the bracelets remained after Rand balefired [Semirhage and Elza] because they weren't really part of Semirhage or Elza.
(comment regarding the thread on Dragonmount where some are arguing that by balefiring Graendal's palace, the Compulsion disappeared since there'd never had been a palace in the first place, and others are arguing that it doesn't work that way, objects don't have threads).
Everything has a thread, not just souls. Even a stone in a wall has a thread in the Pattern.
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It's probably a cliché to say so, but my favorite is still that opening scene of The Eye of the World—that's what grabbed me as a fifteen year old boy and said "You NEED to read this book!" Lews Therin standing over the body of his wife while he calls for her, after being driven insane. . . wow.
Though, that one's probably too obvious. There are a lot of others to choose from. The fight between Rand and Be'lal at the end of The Dragon Reborn was just plain cool. Another of my favorites is the scene where Lan rescues Nynaeve after that whole Moghedien-balefire incident. (I can't even remember which book that is right now.) Oh, and pretty much anything with Perrin in the later books. Not to mention the cleansing of saidin.
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First I want to applaud the OP for a well thought out theory supported by evidence. I have enjoyed the debate on this topic.
Now the bad news: I attended the Robert Jordan book signing here in Charlotte, NC tonight (11/4/05). While he was signing my books, I asked him if he could credit or discredit the theory that the Dark One charged Demandred with the task of wielding Balefire in an attempt to weaken the Pattern, so that the Dark One may be have a better chance of victory at Tarmon Gai'don.
He didn't quite understand my point and asked me to explain it again. When I did, alluding to the consequences of Balefire, and quoting the Dark One's asking Demandred about his willingness to use balefire for the Dark One, he quickly shook his head and gave an unequivocal no.
I'm afraid this theory is disproved by the word of Robert Jordan himself.
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He said the Forsaken are using balefire to help unravel the Pattern. That was all he'd say on it, told me the books provide enough evidence for it.
At any rate I'm not sure whether or not this helps anyone's arguments as I haven't read all of them; y'all write too much.
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So—one Jordan booksigning against the theory, and one for. Sounds like we can't put this theory in the "Debunked" pile yet...
I suppose it's possible that Mr. Jordan may not have fully understood my question and therefore his answer isn't exactly for or against this theory. LOL The question I asked was this: Have the Forsaken, Demandred specifically, used balefire to destabilize the Pattern at all?
He said that they've used balefire and the consequences were destabilizing the Pattern and that in the books you could see evidence of that.
I should've been more specific in my question to him and my post here; that was first time I've ever commented on a message board, etc. I'm usually just a reader/browser to forums and such. I personally think the other fella's question was more specific therefore the answer probably more accurate as pertaining to the topic at hand. The answer he gave me upon further reflection could mean any number of things. It's hard to say. Guess we'll all find out when A Memory of Light is published.
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That is an awesome theory. No. But I am very glad you came up with it—it fits very neatly with how Sanderson would have done it. But still, no.
Can you tell me the actual cause for the difference?
Haha, no. RAFO.
Can you tell me what the Crossroads of Twilight superpack are hunting?
Ummm. No, I still might... it still might be in the books. So RAFO. But if it’s not in the books then it’s open for you all to ask again after A Memory of Light. But for now, RAFO.
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From dinner re: balefire philosophy:
Talked to Brandon at the Stormleader dinner last night. He had a few things to say on this topic:
1. The bruises on Min's neck were not an error. After consulting with Team Jordan, it was determined that indirect effects remain. Rand was the one who strangled Min, not Semirhage directly, so the bruises stayed.
2. Brandon knows of two ways to destroy cuendillar. But he would not confirm if the Domination Band that Rand was wearing was made from cuendillar. He said it was not relevant to what happened.
3. The bracelets did not disappear when Semirhage and Elza were balefired because they were not considered to be intrinsic to their person. It would be the same if someone was holding a book and was balefired, the book would drop to the floor.
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(Sorry I cannot put out his precise words, but here is the gist)—Jordan started by having balefire do this, but he later debunked this theory by saying someone killed by balefire can be reborn at some point. We currently know of nothing/no method that will completely remove someone from the Pattern.
I thanked him and turned to walk away at this point, so that he could continue with the signing. But he called me back and commented that:
The wolves in the Wolf Dream. We know that in the Wolf Dream something can be completely removed from the Pattern.
(Again, not his exact words, but this pretty close. Perhaps J.D can back me up here. He was there.)
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Yes, I know.
Why is he dead?
Robert Jordan once said that res...transmigrating a soul had not just to do with the way that they were killed but the time and...not necessarily just a weave, but why and how. [Technically, where and how.] I am not going to delve too much into transmigration. Robert Jordan did speak on these sorts of things. And so, the Dark One also might not think that the person was an asset worth bringing back.
Dashiva kinda sucks.
I'm not gonna say, but those are all factors in this.
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We know that during the War of Power, entire cities were destroyed by balefire. It doesn't seem like (up until A Memory of Light, at least) enough balefire had been used during the Third Age to be anything close to what was used in the War of Power. Can you speak a little more about the cumulative effects? How much balefire is required before the Pattern starts to be significantly affected?
My interpretation of the way it works is that it's about a lot of balefire over a short period of time (and in a localized position) that causes the most serious damage to the Pattern. Cracks form in reality (like we see in A Memory of Light) when this occurs. The Pattern can sort of heal itself if the balefire ceases. It's kind of like an engine overheating.
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If there are three people, and person 1 balefires person 2, then person 3 balefires person 1, does person 2 come back to life?
Brandon reminded the fan that when someone asked Robert Jordan this question, Mr. Jordan responded by saying the asker needed the love of a man, woman, or schnauzer of his choice. There is actually a correct answer: balefire removes a thread from the Pattern, and, once removed, that thread cannot be replaced.
RJ gave an answer to this question in Australia in 1999 that contradicts Brandon's answer here. RJ said that person 2 would come back to life; this was confirmed by another report at the same signing. Furthermore, there is an unattributed Q&A from Thus Spake the Creator in which RJ states (more specifically, perhaps) that it depends on the strength of the balefire, presumably because a very small amount would not burn person 1's thread back far enough to bring person 2 back to life. [Brandon later said it was his mistake, and Maria said that the 'depends on strength' answer is probably the correct one.]
Finally, it was in response to a question about opening a gateway behind yourself and then using balefire that RJ told the person to get a life, not the question asked here (and he actually referred to a German Shepherd, not a schnauzer).
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*vague spoiler warning*
An audience member had, years ago, asked RJ what would happen if an Aes Sedai balefired herself through a gateway, and was told by RJ that she should find a man, a woman, or a dog to love and she should get a life. (heavily paraphrased). The same audience member was present at the signing and asked if the scenario played out in A Memory of Light was done in response to her question.
BS said that he has avoided gateways and balefire in his series because that type of magic belonged to The Wheel of Time, but he himself has had many thoughts on the use of balefire and gateways. So no, the scenes from A Memory of Light were not a response to her, but BS's own story. The audience member also added that she did find a guy to love, had a daughter, named her Aviendha, and the crowd clapped.
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Since balefire strengthens cuendillar, what effect would Egwene's opposing "Flame of Tar Valon" weave have?
Good question!
(But then we got interrupted and didn't come back to it, so if someone is curious, they could try again and get the rest of the answer. Related questions might be... Would Egwene's weave strengthen cuendillar simply because it is the One Power? If for every weave there is an opposite weave, could there be a weave that would turn the Tar Valon harbor chains back to iron?)
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A fan asked him if Alivia's role in the epilogue was her fulfillment of Min's viewing and he said that it was very clear that that was all that that viewing meant. He said that fans are speculating that she played a part in the body swap but she did not.
Brandon went in to little detail about the body swap, saying he knows as much about it as we do and the notes just didn't give more. He asserted that he has to do with the balefire streams touching and the fact that Moridin no longer wanted to continue to exist but that Rand very much wanted to continue to exist.
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I can only surmise here that I'm wrong. My response didn't come from specifics in Jim's notes, but from conversations between myself and Maria trying to interpret things written in the notes that were not specifically clear. We came out of it understanding the following: Balefire burns threads out of the pattern. If you balefire someone after THEY balefire someone, the threads are remain burned away. However, this was OUR interpretation, and Jim's responses (where he gave them) always trump what we come up with.
Honestly, I thought we were pretty safe on this one, based on the notes and Maria's understanding of balefire. But it looks like Jim had ideas about it that he didn't leave in the notes! (This isn't uncommon, keep in mind. Most of the notes were intended for him, and not outsiders, and so he didn't often write on things he didn't need to remember. During the last months, he did give a lot of notes specifically for Team Jordan and myself—but these things dealt with bigger picture plot sequences or the like, and not the minutia of worldbuilding.)
I apologize for the mistake.
Balefire makes my head hurt. I can't really add anything here, either. I'm sure that Jim and I discussed balefire at some point, but no details really remain. I think that the line "it depends upon the strength of the balefire" is the real answer. Sometimes person 2 comes back to life, and sometimes not, depending upon strength and timing. I got nothing better.
70
You said that the balescreams in Knife of Dreams were because Demandred was balefiring whole cities...
I did not say that.
You did not say that.
No!
That was reported! (on a private Facebook group)
That was reported; that's not what I said.
What did you say then?
I told them...they said, "What caused these?" And I said, "Ah, that's very interesting. By the way, Demandred was balefiring whole cities.
But you didn't say that's what caused them. Okay.
Yes.
Good answer, because that gets rid of my next question. Okay.
Mmhmm. They asked about balefire and things like that, and it was...
...and they connected it...
...and I thought they might, but I specifically said, "BY THE WAY..." This is not....
(laughs) ...Well, we're recording now.
So there you go.
Okay, good.
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Question about the anti-balefire weave. Balefire burns out the threads of the Pattern. The Flame of Tar Valon, does it put the same threads back in? Or does it put brand new ones in?
It does rebuild the Pattern.
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Can the anti-balefire weave restore threads to the Pattern?
Yes, it repairs threads to the Pattern. The threads may not be exactly the same, but it does repair them.
So does that mean Hopper could the next time in this cycle?
I can't speak for Hopper, other than, I have hope.
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And the decision to exchange the bodies at the end?
That was his (Robert Jordan). And it began with the crossing of the balefire streams, way back when, and continued on through the series up to here. He actually wrote those scenes at the end himself.
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I'm assuming research; I don't know.
My theory was always eavesdropping.
Oh yeah, that's another good possibility.
And that would be a reason why she tipped Sammael off to her presence.
Yeah.
How did she rediscover balefire? Assuming research again?
Assuming.
That question always comes up, about whether you can learn a weave by reading about it.
Yeah, I think it can help, and then you have to experiment and hope for the best.
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In the prologue it sounds like Lews Therin balefires himself, and then is reborn as Rand al’Thor.
He does not balefire himself, so I can answer that. He does not.
So it’s just something that sounds a lot like balefire?
Yes- well there’s various interpretations of what happens there. He um- yeah there’s various interpretations of what actually killed him. If you go look and read closely, what actually killed him may be- could be subject to some debate.
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I'll bite:
We had some discussion about whether or not the scene in AMOL in which Rand thinks Roedran is Demandred was intended as a bit of a dig at all the fan theories assuming that to be true. Or was Rand really just supposed to be convinced of that same theory? (And how did Shara never occur to anyone in the books?)
Balefire question: If balefire isn't tearing someone's soul out of the pattern, why is it so destructive? Why, in AMOL is it literally tearing the world apart when Darkfriends are using it?
Thanks! I will try and remember to ask more questions on 15 April!
1. The item you discuss was not intended as a dig against fans. You could read it, potentially, as an acknowledgement of fans—though really, all it comes from is the fact that you have a fan writing these books. I'm aware of many of the theories, and even spent years thinking about them and talking of them. In constructing this scene, it was my impression that if we'd spent all of this time working on these theories, how much more effort would those in world have expended?
And so, my impression was that this would be genuinely what the character thought. I thought it would be very strange if he HADN'T considered it. Therefore, I put a note of it in the text—to indicate that the characters had been working through these same issues, and come to some of the same conclusions. It wasn't meant to break the fourth wall, though I can see how it stands out to some readers.
2. I was under the impression that to be killed by balefire meant dying forever. However, Maria and the notes showed me I was wrong about this fact. Balefire does weaken the Pattern, but it can't destroy souls, which are (you might say) the substance of the Pattern. Just like you can take a hammer to a cup and shatter it, but the pieces of glass will still be there. The Pattern can (theoretically) be unraveled, the world end, but the souls still exist.
It should be note that Moridin believed strongly that the soul CAN be ended by other means, and the implication of wolves (at least) being killed with no rebirth means it can happen.
So, in final answer to your question, it is so destructive because it leaves the Pattern in a mess, strained, and more easily subjected to the Dark One's will. His goal is to shatter the cup, so to speak, and then rebuilt it into a cup more to his liking.
Oh man, I am so happy (a) that you answered my questions and (b) that you answered them well. Thank you for all you've done with the series, Brandon!
(I pointed out the Demandred scene because it is fun on all of those levels. I've thought about the "fourth wall" comment and it doesn't make sense; there's no moment where Rand looks at us. Just at Roedran, in a way that actually is entirely sensical.)
And so, my impression was that this would be genuinely what the character thought.
This was a bit jarring for me, because most of the reasons for the Demandred=Roedran theory came from hints given by Robert Jordan, that Rand wouldn't have access to.
Ah, but Rand would have a whole LOT of information in-world that we don't have. Spy reports, rumors, his knowledge of how the Forsaken like to work. If you remove the places where one of the Forsaken had already set up shop, remove the monarchs that Rand has already met and interacted with, and look for a place that has been suspiciously quiet, you end up with very few options.
One of which just happens to be as we now know Shara.
It's funny, it was an RJ quote that pushed people away from that particular theory. It turned out to be an extremely Aes Sedai answer.
I would love to read that quote.
And of course RJ would give Aes Sedai answers. That makes a lot of sense.
I'll try to find it, but he basically said that we'd never see Shara "on-screen".
Oh right! Yeah. That's a very Aes Sedai answer. Heh. 'You'll never see their country, but they'll see ours!'
79
While Brandon was signing my book(s) I asked him about Alivia and if she had a role in the body swap. I assumed it was Nakomi but the others I was reading the book with all decided it HAD to be Alivia and that's how she fulfilled Min's viewing.
Brandon confirmed that Alivia had NOTHING to do with the body swap but wouldn't go into it further.
Nothing is popping up man, but what did you ask? We had someone actually ask who killed Asmodean, literally THE ENTIRE CROWD booed this guy. Alivia helped him die by disappearing. It was quite anticlimactic.
Huh, not sure why the spoiler isn't working right. Anyways, I was having a debate with the 5 other people I'd been reading with and felt like I was taking crazy pills—all the others thought Alivia is the one who found Rand outside Shayol Ghul after the battle and did the swap. I asked Brandon to confirm that it wasn't Alivia and was in fact Nakomi and he said he wouldn't answer anything about Nakomi, but vehemently denied Alivia had anything to do with the swap.
The body swap was a result of the crossed balefire stream.
Sure, it's clear that was what triggered the whole event but the end of A Memory of Light heavily implies that the woman outside Shayol Ghul finalized the deal. I'd assume that was Nakomi.
Anyways, BS has made it clear he can't/won't answer any questions about Nakomi so I was just hoping for a solid confirmation that Alivia wasn't involved in anything at Shayol Ghul, and he confirmed that. That was good enough for me.
Ohhhh you're talking the old woman in the tent with Alivia? I'm almost positive it was Caddy and Alivia was referring to her as an old woman. You're talking about "The wise ones and the old woman with them" line correct? It's not Verin, we know that much. Nakomi, I'm convinced is no one, and everyone is just assuming there's something special about her. Though I found that old woman line suspicious.
Nah, I'm talking about the first page of the epilogue—892. The figure outside Shayol Ghul that says "Yes, that's good. That is what you need to do" as he brings Moridin's body out. For some reason a fair amount of people I've talked too (including the group I read with) thought that was Alivia, since it's suggested this person starts the body swap at that point (or finishes it I suppose). BS confirmed it was NOT Alivia though. I assume it's Nakomi. Who Nakomi actually is is an entirely different story.
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If people can be removed from the Wheel by dying in the Wolf Dream or the Dream World when they're there in person, how is it that there are any people left, if there's been an infinite number of turns of the Wheel?
They actually can't. That only works on wolves, regardless of what some people think in-world. I thought like you do, but Maria was quite firm that RJ said it couldn't happen, even in the World of Dreams. (Or even with balefire—which I thought would also remove people. Maria explained that I was wrong, and RJ was firm on this one too.)
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The Flame of Tar Valon—what does it do other than shore up the Pattern? Does it have effects also opposite to balefire? Was the weave related to the weave that Rand used to seek out Shadowspawn in The Dragon Reborn?
This is left for your consideration and discussion for now.
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Perrin
Perrin is my favorite character in the series, and has been since I was a youth. Like many readers, I was frustrated by his choices through the later books, though the writer in me really appreciated Robert Jordan's skillful guidance of the character. The problems Perrin confronted (sometimes poorly) highlighted his uncomfortable relationship with the wolves, his unwillingness to cut himself a break, and his ability to devote himself so utterly to one task that everything else vanished. (As a note, I feel this is one of the major things that made me empathize with Perrin for all those years. Of the main characters, he is the only artist. However, he's an artist like me—a focused project builder. A craftsman.)
Though I wanted to be careful not to overdo the concept, one of my goals in these last few books was to bring back ideas and conflicts from the first books—creating parallels and emphasizing the cyclical nature of the Wheel of Time. Again, this was dangerous. I didn't want these books to become a series of in-jokes, homages, and repetitions.
However, there are places where it was not only appropriate, but vital that we return to these themes. I felt one of those involved the Whitecloaks and Perrin, specifically the two Children of the Light he had killed during his clash with them in the very first book. This was a tricky sequence to plot. I wanted Perrin to manifest leadership in a way different from Rand or Egwene. Robert Jordan instructed that Perrin become a king, and I loved this plot arc for him—but in beginning it with the Whitecloaks, I threatened to leave Perrin weak and passive as a character. Of all the sequences in the books, I struggled with this one the most—mostly because of my own aspirations, goals, and dreams for what Perrin could become.
His plot is my favorite of the four for those reasons.
I had other goals for Perrin in this book. His experiences in the Wolf Dream needed to return, I felt, and push toward a final climax in the Last Hunt. This meant returning to a confrontation with Slayer, a mirrored character to Perrin with a dual nature. I wanted to highlight Perrin's instinctive use of his powers, as a contrast to the thoughtful, learned use of power represented by Egwene. People have asked if I think Perrin is better at Tel'aran'rhiod than Egwene. I don't think he is, the balefire-bending scene notwithstanding. They represent two sides of a coin, instinct and learning. In some cases Perrin will be more capable, and in others Egwene will shine.
The forging of Perrin's hammer, the death of Hopper, and the wounding of Perrin in the leg (which is mythologically significant) were in my narrative plan for him from the get-go. However, weaving them all together involved a lot of head/wall-bashing. I wanted a significance to Perrin's interactions with the Way of the Leaf as well, and to build a rapport between him and Galad—in my reads of the characters, I felt they would make for unlikely friends.
Of all the major plot sequences in the books, Perrin's was the one where I had the most freedom—but also the most danger of straying too far from Robert Jordan's vision for who the character should be. His instructions for Perrin focused almost entirely on the person Perrin would be after the Last Battle, with little or no direction on how to bring him there. Perrin was fully in my hands, and I wanted to take extra care to guide my favorite character toward the ending.
I will note, by the way, that Verin's interaction with Egwene in The Gathering Storm was my biggest surprise from the notes. My second biggest was the Thom/Moiraine engagement. Robert Jordan wrote that scene, and I was surprised to read it. (As I said, though I loved and had read the books, there are plenty of fans who were bigger fans than myself—and to them, this was no surprise.) I didn't pick up the subtle hints of a relationship between the two of them until my reread following my getting the notes.