Search the most comprehensive database of interviews and book signings from Robert Jordan, Brandon Sanderson and the rest of Team Jordan.
2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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Long enough.
Long enough for what?
Long enough to be ALMOST dead.
(Emphasis mine) I was pretty sure this was where Mat died and lived again, but I guess that's out of the question now.
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Seriously, though, any bets on whether the Tinkers will ever find the Song? I bet it's the harvest song from Rand's Aiel memories.
I asked RJ about this when he was in Melbourne last week, and (amazingly) got a straight answer.
The Song the Tinkers are seeking is the song Rand heard in Rhuidean—or, to be exact, the memories of that song and others like it have become merged, over the years, into the concept of one mystical Song.
As to whether the Tinkers will find "the Song", I suspect they will—at least, they will be brought to understand their true history just as the Aiel were. RJ seems to intend showing an upheaval affecting every nation and society in Randland during the course of the series. I doubt the Tinkers will survive unchanged into the next Age. Unless they all get wiped out, I think "the Song" will be found at some point.
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Who wrote the scene in which Aviendha flash-forwards to the future in the glass towers? The scene was beautifully epic because of how it shows the transition of the post–Last Battle Randland, and every time I read it, I feel well and truly sad that I will never see stories set in that time.
(Having said that, what you did with the Mistborn series and the Wax/Wayne novels is a pretty good substitute for reading Fourth Age stories, so there is that. Thanks a lot!)
The glass pillars was me, as I believe some fans have already figured out. One of my big pitches to Harriet and company was that we needed to take risks and chances with these stories, because that's what RJ would have done. If we played it exactly safe, we would have a bland ending to the story.
We couldn't always take the same risks that RJ would have, but we needed to have a dynamic plot where characters, and the world, grew and became something different. They were very scared of this sequence during my pitch, but it's one that—when they read it—they were sold on it very quickly.
As for Wax and Wayne, just wait until we get the Mistborn space opera books.